Category: Film

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Now Playing: Loving

Dan Seeger

It can be too much of a burden to put on a movie, to insist that it offer a cautionary alarm about the conflicts and risks swarming into modern society, doing so with clarity and firm intent. It is challenging enough to tell a story on screen, especially one based in fact, when the needs of drama and the moral obligation of accuracy can tug on different sleeves, without the pressure of winning a moral argument. And yet that is precisely what certain movies can do. It is not necessarily an obligation, but it is a gift, at least of … Continue reading Now Playing: Loving

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The Art of the Sell: Wes Anderson, “My Life, My Card”

Dan Seeger

These posts celebrate the movie trailers, movie posters, commercials, print ads, and other promotional material that stand as their own works of art.  Wes Anderson is rightly earning a fleet of social media raves for his new Christmas-themed ad for H&M. Thankfully, it’s far better than what he came up with the last time he pointed his camera at Adrien Brody on a train. It also got me thinking about other commercial spots Anderson has directed, including his contribution to the American Express “My Life, My Card” campaign. The meticulous detailing that can swerve towards preciousness can get wearying across … Continue reading The Art of the Sell: Wes Anderson, “My Life, My Card”

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Now Playing: The Edge of Seventeen

Dan Seeger

In The Edge of Seventeen, Hailee Steinfeld plays Nadine Byrd. She’s a high school junior beset by a fairly typical array of problems: family that doesn’t understand her, a small cluster of friends whose loyalty is continually tested, the always baffling pile-up of signals from boys. If the issues aren’t familiar from life, they certainly will tickle the recollection of anyone who’s watched a movie about teen-aged existence, at least those that flowed downstream from the rough seas sailed by Commodore John Hughes. Even as I type that out, becoming approximately the ten million and seventy-seventh person to handily categorize The … Continue reading Now Playing: The Edge of Seventeen

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The Unwatchables: The Beaver

Dan Seeger

There was a time when I was absolutely convinced that Jodie Foster was the future of U.S. cinema. In 1991, she starred in The Silence of the Lambs, giving a riveting performance as Clarice Starling that justly earned her an Academy Award, her second Best Actress win in the span of three years. That same year, she delivered her directorial debut in Little Man Tate, an imperfect but insightful drama about precocious talent that benefited from the sense Foster was drawing on her own experience as a child actor who could somehow slip comfortably between a loopy Disney comedy and … Continue reading The Unwatchables: The Beaver

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Bird, Coon and Skousen, Garrone, Huston, Paradisi

Dan Seeger

Tomorrowland (Brad Bird, 2015). There’s nobility in Brad Bird’s oft-stated aspiration to use Tomorrowland to reanimate the futuristic optimism of his youth, countering the long meander into an endless procession of sci-fi dystopias. Intent is one thing. Execution is quite another. Bird’s second outing as a director of live-action features is a muddled, overbearing squawk of condescending nonsense that too often barrels headlong into disastrous inane storytelling choices. As a grizzled, grumpy outcast of a once-proud secret nation of innovators, George Clooney is in the mode of hammy, insistent twitches that rightly earned him derision when he made his initial … Continue reading Bird, Coon and Skousen, Garrone, Huston, Paradisi

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Now Playing: Arrival

Dan Seeger

There’s so much to dig into when discussing the new film Arrival. The intricacies of the storytelling, the jarringly smart manipulation of the film narrative grammar, and the resonance of deeply moving themes are all worth topics, compelling pieces of evidence in the argument of the work’s special accomplishment. And yet the element of the film that made the strongest impression on me — that convinces me it is the linchpin that makes it all work — is the one that I suspect and worry will be overlooked by many, convinced that it is in service of a bigger picture … Continue reading Now Playing: Arrival

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Then Playing: Heaven’s Gate

Dan Seeger

I usually reserve the longer reviews for films still playing in theaters, but sometimes a title I’ve caught up on later merits a few extra words. Like a sizable portion of the U.S. electorate, I’ve been anxiously seeking out distractions for, oh, say, the past week or so. My natural instinct is to seek solace in the movie house, in all its many iterations. As a general rule, the more time kept away from ruminating on the political toxins burdening the atmosphere, the better. So when the opportunity arose to sit before the three hour and thirty-nine minute cut of Michael … Continue reading Then Playing: Heaven’s Gate

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Now Playing: Certain Women

Dan Seeger

Director Kelly Reichardt specializes in a quiet attention to the small. In general that serves her well, making her films stand out with their unhurried emotional arcs. Whether tracking the sad plight of homeless woman traveling with her dog or a batch of weary, nineteenth century pioneers, Reichardt’s steadfast refusal to whirlwind up contrived drama invites attention to the more intimate facets of her stories, those that nestle in close to the bones of the characters. In their sharpest moment, Reichardt’s films unearth truths that most fiction storytelling rushes recklessly over. Admittedly, that can make the resulting works feel slight, … Continue reading Now Playing: Certain Women