Top Fifty Films of the 60s — Number Three

#3 — Persona (Ingmar Bergman, 1966) I expend a lot syllables in these pieces considering how individual films fit in with the shifting trends of the cinematic era. Maybe they connect to the French New Wave, as a representative example of it or a film that bears its mighty influence. Or maybe a film forecasts the dark, intense revolution of American moviemaking on the horizon. And then there are those efforts that stand wholly apart from any such contextualization, that are astonishing entirely on their own terms, set against any era, any place, certainly any trend. That’s where the work … Continue reading Top Fifty Films of the 60s — Number Three

Peter O’Toole, 1932 – 2013

PLAYBOY: Are you afraid of dying? O’TOOLE: Petrified. PLAYBOY: Why? O’TOOLE: Because there’s no future in it. PLAYBOY: When did you last think you were about to die? O’TOOLE: About four o’clock this morning. A few weeks ago I watched a commercial on television. It was selling insurance, and I had realized how graphic and Grand Guignol they’d got. There’s a fellow on the beach with his wife and ten children romping around in the sand, and suddenly they all dissolve. And he thinks: “Must insure with Prudential” or whatever. But if I was going to die, I’m afraid I … Continue reading Peter O’Toole, 1932 – 2013

Spectrum Check

The mad rush to the end of the year continues at Spectrum Culture. Everyone’s been doing their best to pull together various “best of” features while still making sure we still continue to crank out the regular new material. It’s fun (especially for a dork like me who enjoys wedging his media interests into list form, which the tags over there on the right certainly indicate), but a little exhausting, too. And it’s made even more busy when a feature we’ve been working on for ages comes to fruition at the exact same time. It took over a year for … Continue reading Spectrum Check

Fleischer, McQueen, Perry, Sturges, Tourneur

The Swimmer (Frank Perry, 1968). This is definitely an odd one. It’s not hard to see why this has become something of a cult classic, its relative obscurity combining with the floridly executed proto-seventies moody grit creating a fairly singular viewing experience. Based on a John Cheever story, the film casts Burt Lancaster as a middle-aged stalwart of the self-anointed suburban upper class who decides on a whim on day that he can cross the vast distance from one house to his own home entirely by following a path that takes him through all of his many neighbors’ backyard swimming … Continue reading Fleischer, McQueen, Perry, Sturges, Tourneur

The night they invented champagne, it’s plain as it can be they thought of you and me

Someday soon, I will get better at having some actual writing, with words and punctuation and junk, presented anew in this space every day. I’m afraid that tonight I have to once again concede defeat, this time because I spent so much time with this lovely young lady: Look for the results at Spectrum Culture on Friday. (Image above pilfered from elsewhere.) Continue reading The night they invented champagne, it’s plain as it can be they thought of you and me

Spectrum Check

We’re winding down to the end of the year at Spectrum Culture, so there’s a lot going into prep for that. I’m spending so much time trying trying to assemble my various lists–mostly extensive listening and re-listening to the most interesting music of the year–that keeping up with the new stuff week to week becomes kind of dizzying. For example, I have to keep reminding myself that I’ve got a late contender for the Best Albums list in the latest from White Denim. This also represents one of the few times (maybe the first time) that I’ve returned to a … Continue reading Spectrum Check

Katzin, Kurosawa, Muschietti, Walsh, Wise

Colorado Territory (Raoul Walsh, 1949). This Raoul Walsh western both locks in on the form and offers a sort of sour, woozy commentary on its many tropes. Joel McRae plays a notorious outlaw who’s sprung from jail and gets himself enmeshed in the fabled “one last job,” a train heist that will net him and his conniving compatriots enough money to allow them to retire for good. Along the way, he also becomes enamored with a lady bandit, the wonderfully named Colorado Carson (Virginia Mayo). Walsh had used the exact same source material to make a film noir crime picture … Continue reading Katzin, Kurosawa, Muschietti, Walsh, Wise

Spectrum Check

Considering it was a short week, I had a lot of material up at Spectrum Culture. The most challenging piece to write was my “Revisit” on Lawrence Kasdan’s The Big Chill, part of my ongoing attempt to exhaust all of my pop culture touchstones for the site. I suspect the result reads as a little more unkind towards the film than my actual, official stance on it, but I went where the writing took me. The other film I wrote on was a new documentary on Bettie Page. I picked it up because of the promise that the famously private … Continue reading Spectrum Check