It’s been quite the season for movie stars portraying endurance in the face of overwhelming odds while operating in isolation. While premieres and the resulting opening chatter took place earlier, across successive weekends Sandra Bullock tumbled through space and Tom … Continue reading Odds and ends, odds and ends, lost time is not found again
#7 — 2001: A Space Odyssey (Stanley Kubrick, 1968) Stanley Kubrick, master director and cinematic innovator with a heavy influence on countless cinematic greats who followed, won exactly one Academy Award. One. Of course, that’s more of a damnation of … Continue reading Top Fifty Films of the 60s — Number Seven
As has been widely reported, 12 Years a Slave is difficult to watch. That’s by design, of course, but it’s not simply a dutiful willingness to meet the scourge of American slavery at the only place any creator of conscience … Continue reading I wish you could know what it means to be me, then you’d see and agree that every man should be free
I had a nicely balanced week at Spectrum Culture: one film review, one album review. First I reviewed the new album from Minor Alps, a duo comprised of Juliana Hatfield and Matthew Caws, the latter best known as the leader of Nada Surf. His involvement piqued my interest, though, because of his preceding tenure with the Cost of Living. And thus my quest to cite obscure bands from my college radio days in Spectrum reviews marks another tally. On the film side, I wrote about a new documentary tracing the genesis, production and influence of George A. Romero’s The Night … Continue reading Spectrum Check
#8 — To Kill a Mockingbird (Robert Mulligan, 1962) The film adaptation of Harper Lee’s To Kill a Mockingbird arrived about two-and-a-half years after the novel’s original publication. Both are so firmly ensconced in the American canon that it can … Continue reading Top Fifty Films of the 60s — Number Eight
#9 — West Side Story (Jerome Robbins and Robert Wise, 1961) When I watch the portions of West Side Story over which Jerome Robbins had sole authorship, I wonder if completing the film even would be possible had he been … Continue reading Top Fifty Films of the 60s — Number Nine
Richard Pryor: Omit the Logic (Marina Zenovich, 2013). Richard Pryor had a life that was singularly amazing (deeply troubled childhood, an impact on the art of stand-up comedy like no other, and a personal life fraught with peril and bad decisions), so much so that it seems almost impossible to contain it within a single film. He couldn’t do it with the thinly fictionalized Jo Jo Dancer, Your Life is Calling, and Marina Zenovich–inadvertently, no doubt–does her level best to prove that the documentary feature format similarly has no hope of containing the man’s unbalanced magnificence. She clicks through the … Continue reading Ozu, Polley, Sullivan, Tourneur, Zenovich
#10 — The Graduate (Mike Nichols, 1967) Famously, the casting for The Graduate was all messed up. Dustin Hoffman, in only his second film role and first of any significance, was thirty years old, nearly a decade older than would be … Continue reading Top Fifty Films of the 60s — Number Ten
Escape from Tomorrow is a helluva stunt and a mediocre movie. And I’m being generous with the latter assessment. The debut feature from writer-director Randy Moore traces one family’s problematic day at the Happiest Place on Earth, marked most notably … Continue reading But listen to the color of your dreams
In only had one full-length review at Spectrum Culture this week, but it was a fairly big one. When music reviews for the week were handed out, I picked up the new album from Cults. While I think the writing sums the record up well enough, I struggled to figure out the numeric ranking. On a gut level, it felt a little lower than the 4.0 I wound up with, but aside from one blip of a song, I also couldn’t find anything particularly problematic with the album. We’ll see how it ages for me. I also pitched in a … Continue reading Spectrum Check
