Maysles brothers, Melville, Ophüls, Scherfig, Scott

The Reckless Moment (Max Ophüls, 1949). This was the last film made by the great German director Max Ophüls during a brief dalliance with Hollywood, and it exhibits both his mastery of the form and the knack for scratching away at tremulous morality that probably sealed the failure of Stateside tenure. Based on the Elisabeth Sanxay Holding novel The Blank Wall (which later became source material for the Tilda Swinton vehicle The Deep End), the film relates the story of an everyday woman who attempts to cover up a murder that she suspects was perpetrated by her daughter against a … Continue reading Maysles brothers, Melville, Ophüls, Scherfig, Scott

Now he’s up above my head, hanging by a little thread

Longer ago than I care to admit (it can be measured in decades, sadly), I first started reviewing movies on a weekly radio program, originally adopting the strategy of treating each new film as strictly its own entity. Theoretically, a sizable percentage of our listening audience would be coming to these films fairly fresh, with no working knowledge of the director’s wider oeuvre, the history of the production or any of the other odd particulars that can fill the heads of seasoned moviegoers as the lights go dim in the theater. I figured I should do the best I could … Continue reading Now he’s up above my head, hanging by a little thread

Spectrum Check

The 4th of July holiday meant a little bit light week at Spectrum Culture, but I still had a few words go up. On the film side, I reviewed the new film from André Téchiné, the acclaimed French director of Wild Reeds and several others. It always feels a little uncomfortable to take shots at a director with a highly valued history, but the movie was plainly lacking. It was a labor to get through. I also wrote about Fiona Apple for the second straight week, offering up a brief assessment of her new outing in our survey of the … Continue reading Spectrum Check

I walked away from everyone I know, I looked around and thought, This must be what it’s like to be alone

Just over twenty-five years into their existence as Pixar and over fifteen years since they shifted the foundations of film with Toy Story, the computer animation studio that can make as much of a claim towards auteurship as any major … Continue reading I walked away from everyone I know, I looked around and thought, This must be what it’s like to be alone

Spectrum Check

I had a few contributions up at Spectrum Culture this week, including one more than I originally anticipated. The first thing that posted was a review of the new album from Lemonade, which I actually forgot landed in my iTunes because I was supposed to write about it. So while I’ve been listening to it a fair amount since I got it, I hadn’t been thinking about what to say about it until the official deadline crossed my inbox. I think I pulled it together fine, but it was a little more of a scramble than it needed to be. … Continue reading Spectrum Check