As if there were any doubt left on this point, The Hunger Games seals the certainty that studios that once rejected aspirations towards art in favor of a fervent craving for franchises are now slipping to a point where nothing … Continue reading Dressing up in costumes, playing silly games, hiding out in tree tops, shouting out rude names
#39 — Real Life (Albert Brooks, 1979) The reputation of the debut directorial effort by Albert Brooks is so bolstered by the seeming prescience of its premise that it can be easy to lose sight of the detail that the … Continue reading Top Fifty Films of the 70s — Number Thirty-Nine
I had couple things on Spectrum Culture this week. In the Film section, I reviewed Womb, a film that continues the unexpected British trend of gentle sci-fi stories about cloning, a distinct subgenre done exceedingly well in Kazuo Ishiguro’s novel Never Let Me Go and less so in the film adaptation of the same book. Womb is further proof that we all would have been better off in Ishiguro’s original work was allowed to be the sole and final work of art on that front. I fared a little better with my selection in the Music section, offering an assessment … Continue reading Spectrum Check
Designing Woman (Vincente Minnelli, 1957). This blithe, airy comedy about a mismatched couple is laced with some mild battle-of-the-sexes commentary. For the most part, though, it’s a procession of problematic friends and crooked boxing promoters. In other words, it’s the sort of romantic turmoil that only happens in the movies, and happened all the more frequently when the standard Hollywood product was made monumentally more colorful to compete with the hugely successful new medium of television. The film is directed with typical skill and panache by Vincent Minnelli, but the film works to the degree it does mostly from the … Continue reading Ford, Fukunaga, Green, Minnelli, Stahl
My week at Spectrum Culture started with me writing about one of those films that I know backwards and forwards. Usually, when I write about anything for Spectrum, I try to give it a fresh viewing (or listen), but that absolutely wasn’t required in this instance. There is one problem, though. I really should have asked to get pushed back a week so the review was closer to Opening Day, although Major League Baseball is sure working hard to make Opening Day (true Opening Day, not exhibition-games-that-count Opening Day) feel goofy and anticlimactic. Continuing on the movie beat, I wrote … Continue reading Spectrum Check
#40 — Carnal Knowledge (Mike Nichols, 1971) One of the things that I can never quite get over when considering the general cinema of the seventies is the mad rush of mature content, not just in terms of bouncing nudity … Continue reading Top Fifty Films of the 70s — Number Forty
Hereafter (Clint Eastwood, 2010). Clint Eastwood will often dismiss anyone trying to read too much subtext of grand personal artistic statement in his films. They’re just pictures to the steely-eyed director. Certainly this ponderous rumination of mortality holds no added passion or weight that might be expected from a guy entering into his eighties and, therefore, maybe a little interested in considering what might be out there beyond this mortal coil. Instead Eastwood plods through a notably facile script from Peter Morgan bringing together multiple story threads in ways that would strain credulity to breaking if they weren’t so completely … Continue reading Eastwood, Polanski, Rosenberg, Siodmak, Wyatt
In part due to a little mistake I made the prior week, I had two different film reviews go up at Spectrum Culture this past week. First was a film I should have reviewed earlier, but release schedules apparently baffle me at times. It was a French drama starring Audrey Tautou which proved to be not especially good. Tautou has been fairly choosy since her breakthrough in Amélie, at least by the standards of the European film industries which tend to push stars to churn out movie and movie. That’s a sound choice on her part, but it can make … Continue reading Spectrum Check
#41 — Opening Night (John Cassavetes, 1977) I’m not sure how good John Cassavetes was at birthdays or anniversaries, but he sure gave his wife a helluva gift every time he pushed a script across the breakfast table. Gena Rowlands … Continue reading Top Fifty Films of the 70s — Number Forty-One
The Help (Tate Taylor, 2011). I think a strong, important movie can (and arguably should) be made about the continued racial-based social inequities imposed in the American South–really all over the country, but those below the Mason-Dixon line had a special skill for it–in the early nineteen-sixties as the power of the Civil Rights movement was beginning the much needed push back against the monied classes that wanted to maintain some diluted but still despicable variation on the slavery system abolished about a century earlier. The Help, for all its noble intentions, simply isn’t that movie. Even putting aside the … Continue reading Clooney, Goldwyn, Kiarostami, Taylor, Vaughn
Coffee for Two 