My first instinct is that the framing of the new film King Richard is off in a way that’s all too common. In telling the tale of two incredible female athletes — one of whom can make a legitimate claim … Continue reading Now Playing — King Richard
I have little doubt that Lin-Manuel Miranda relates mightily to the agonizing tale of creation related in Tick, Tick… Boom! Sure, Miranda is now an entertainment world titan with a trio of Tonys, a Pulitzer Prize, and wider name recognition … Continue reading Now Playing — Tick, Tick… Boom!
Those Who Wish Me Dead (Taylor Sheridan, 2021). Taylor Sheridan’s second feature as a director builds on his oeuvre of Mountain West thrillers. In Those Who Wish Me Dead, Angelina Jolie plays Hannah Faber, a plays-by-her-own-rules somkejumper who’s been given … Continue reading Then Playing — Those Who Wish Me Dead; The Hunt; Repast
For a variety of reasons, it was probably inevitable that Eternals would be the most ambitious film released to date under the Marvel Entertainment banner. While director Chloé Zhao hasn’t shown a penchant for David Lean–style epics to this point … Continue reading Now Playing — Eternals
The protagonist of Last Night in Soho, Edgar Wright’s latest film, can be viewed as a surrogate for any number of filmmakers, including, just maybe, the one who presides over her story. Ellie (Thomasin McKenzie) is a young woman from … Continue reading Now Playing — Last Night in Soho
O Ébrio (Gilda de Abreu, 1946). This Brazilian film, the directorial debut of Gilda de Abreu, was a smash hit on its home turf at the time of its release. The film follows the shifting fortunes of Gilberto (Vicente Celestino), who … Continue reading Then Playing — O Ebrio; Jeanne Eagels; Let Them All Talk
The Harder They Fall, the feature directorial debut of Jeymes Samuel, is awash in its influences, and that seems to be the point. The film is a mish-mash of Spaghetti Westerns, Sam Peckinpah, John Ford, and Howard Hawks, modernized with … Continue reading Now Playing — The Harder They Fall
In Praise Of Movies That Just End (Because They Used To Know When To End) by Mike Ryan This is exactly the sort of grumpy-old-man movie criticism I’m looking for these days. I’ve been slow to reengage in the moviegoing … Continue reading Outside Reading — The Last Frame of the Last Reel edition
#53 — Jenny Slate as Donna Stern in Obvious Child (Gillian Robespierre, 2014) When Gillian Robespierre developed her feature directorial debut, Obvious Child, she had Jenny Slate in mind for the lead role of Donna, a woman whose drunken canoodling … Continue reading Greatish Performances #53
American Animals (Bart Layton, 2018). Bart Layton’s heist drama is drawn from an actual crime perpetrated by a group of young men in the early two-thousands, and the filmmaker creatively incorporates documentary — and documentary warping — contributions from the … Continue reading Then Playing — American Animals; Madeline’s Madeline; No Time to Die
