One for Friday: Billy Bragg, “Sulk”

I adore those rare instance when a music discovery hits with an immediacy and clarity of a ringside bell. To my mind, there’s nothing more magical than when such a revelation happens in the midst of a crowd, basking in live music delivered by a skilled performer. The first of many times that I saw Billy Bragg live, he was touring to support his 1991 album, Don’t Try This at Home. This excursion to stand before the Bard of Barking was of major importance to me. Workers Playtime was one of the albums I clung to like a religious artifact … Continue reading One for Friday: Billy Bragg, “Sulk”

College Countdown: CMJ Top 250 Songs, 1979 – 1989, 133 – 131

133. They Might Be Giants, “Ana Ng” According to John Linnell, “Ana Ng” has its foundation in his childhood memories. “There’s a cartoon I read as a kid in which a character shoots a gun through a globe to find out where the other side of the world is. So that was sort of the beginning,” he told MTV at the time. The comic in question was an installment of Walt Kelly’s great Pogo, and Churchy LaFemme was the pistol-wielding geographer. Further inspiration came from Linnell letting his fingers do the walking through a New York City phone book, noting there … Continue reading College Countdown: CMJ Top 250 Songs, 1979 – 1989, 133 – 131

One for Friday: Bettie Serveert, “The Pharmacy”

I like music. And I like a lot of different bands and performers. It’s a breadth that I’ve tried to cultivate every since I first started buying records with focus and dedication over thirty years ago. When others prodded me with questions about favorites — bands, styles, songs, albums — it’s usually resulted in me stammering out some noncommittal response, not because I’m lacking in opinions (as this digital outpost presumably makes clear), but because those sorts of singular declarations felt so limiting. I always wanted more. I’m a broadcaster by inclination. Narrowcasting holds little interest for me, even when … Continue reading One for Friday: Bettie Serveert, “The Pharmacy”

Laughing Matters: Bruce McCulloch, “Daves I Know”

Sometimes comedy illuminates hard truths with a pointed urgency that other means can’t quite achieve. Sometimes comedy is just funny. This series of posts is mostly about the former instances, but the latter is valuable, too. Having spent the past several days swinging wildly between obsessive tracking of political news and happy but tense viewings of postseason baseball, I need a soul and spirit cleanser. And this will do, nicely. Previous entries in this series can be found by clicking on the “Laughing Matters” tag. Continue reading Laughing Matters: Bruce McCulloch, “Daves I Know”

College Countdown: CMJ Top 250 Songs, 1979 – 1989, 136 – 134

136. Swans, “Love Will Tear Us Apart” For some fans of Swans, the betrayal of principles began with a cover of “Love Will Tear Us Apart.” To the degree that the track — or tracks, really — represented a distinct turning point, they’re not entirely wrong. Michael Gira started Swans in the countercultural swirl of New York’s early-nineteen-eighties no wave scene, releasing a succession of abrasive, challenging albums and EPs. By the middle of that decade, pierced eyebrows were already raising as the hardest, most bruising edges were buffed off, a process accelerated by the inclusion of keyboardist and vocalist Jarboe on the … Continue reading College Countdown: CMJ Top 250 Songs, 1979 – 1989, 136 – 134

From the Archive: “And we begin, as always, with the latest in movie news….”

As was the case the last time I devoted a “From the Archive” entry to one of the newscast portions of our late radio show The Reel Thing, I need to credit a different writer. While I occasionally found a story for inclusion on the station’s AP wire, the show-opening news rundown was almost entirely the province of my esteemed, gifted colleague on the program. This group of stories led the episode that roughly corresponded with the current weekend, twenty-six years ago. He took the picture above, too.   The Birmingham, Alabama News says it won’t run ads for Henry & … Continue reading From the Archive: “And we begin, as always, with the latest in movie news….”

One for Friday: Daisy Chainsaw, “Love Your Money”

Sometimes I wish I’d kept absolutely everything from my college radio days. My time as a student broadcaster predated the point when hefty archives could be handily condensed down to a dinky drive the size of exhausted cigar stub, so any exhaustive collection would have been a bulging box of papers and audio tape. No matter the pack rat tendencies that lurk inside me, dragging my history from home to home (and eventually state to state) simply wasn’t feasible. I know that. Still, I’d love to load up different slices of bygone broadcast days. I’m often surprised at just which … Continue reading One for Friday: Daisy Chainsaw, “Love Your Money”

College Countdown: CMJ Top 250 Songs, 1979 – 1989, 139 – 137

139. Genesis, “Abacab” “It was just time to be a bit braver,” Mike Rutherford explained about the creative process that eventually resulted in Abacab, the eleventh studio about from Genesis, released in 1981. Driven largely by the deliberately overblown theatricality favored by Peter Gabriel, the band’s founding lead singer, Genesis were prog rock cult heroes in the nineteen-seventies. As the band pared down through the years, eventually settling on bassist/guitarist Rutherford, keyboardist Tony Banks, and singer/drummer Phil Collins. Established as that trio, the group started finding a way to pare down their sound with the hope for more radio-friendly singles as … Continue reading College Countdown: CMJ Top 250 Songs, 1979 – 1989, 139 – 137

One for Friday: Ben Kweller, “Commerce, TX”

By the time I reached my second college radio station, a splendid subterranean outpost where I served as the advisor, I was luckily primed to accept the songwriting talents of precocious teens named Ben. That preparedness prevented me from being needlessly dismissive of a favorite singer-songwriter with key student staff members. This might seem a small accomplishment — and, truly, it probably was — but, let’s face it, I needed all the cool kid points I could accumulate. Where I warmed to Australian Ben Lee several years earlier, it was Texan Ben Kweller who had an honored place in the … Continue reading One for Friday: Ben Kweller, “Commerce, TX”

The New Releases Shelf: My Woman

Consider the enormous pressure that must come from following up a true breakthrough. Angel Olsen’s 2014 album, Burn Your Fire For No Witness, wasn’t a debut, but it felt like it was. It was infused with the immediacy of a voice that had no previous avenue suddenly unleashed, able to express everything that had been stewing in a wounded soul. That it offered this smack of fresh perspective with an intense restrained quiet rather than a reverberating caterwaul only made it more striking. Perhaps the more impressive thing about My Woman, Olsen’s new release, is that it honors and maintains … Continue reading The New Releases Shelf: My Woman