College Countdown: CMJ Top 250 Songs, 1979 – 1989, 142 – 140

142. Bangles, “Walk Like an Egyptian” “Walk Like an Egyptian” was written by Liam Sternberg after he saw people awkwardly trying to keep their balance as they crossed the deck of a fairy, putting him in mind of the stiff figures in Egyptian hieroglyphics. Sternberg shopped a demo featuring Marti Jones on lead vocals. Toni Basil turned the song down, and Lene Lovich recorded it, though her version never saw release because she decided to take a sabbatical from the music business for most of the nineteen-eighties. So the demo track kept kicking around, eventually landing on cassette sent to producer David Kahne … Continue reading College Countdown: CMJ Top 250 Songs, 1979 – 1989, 142 – 140

One for Friday: Ben Lee, “End of the World”

I remember a spring afternoon in 1997. I was standing in Strictly Discs, as fine of a record store as can be found in Madison, Wisconsin, as a learned music fan was browsing the new releases and chatting with the guy behind the counter, as learned music fans are wont to do. And the shopper’s stack grew larger, he was talking about the upcoming releases that he’d already had a chance to somehow hear, declaring that Something to Remember Me By, the sophomore full-length from Ben Lee was a masterpiece. I was filled with envy. I’d happened upon Lee while … Continue reading One for Friday: Ben Lee, “End of the World”

College Countdown: CMJ Top 250 Songs, 1979 – 1989, 145 – 143

145. Dire Straits, “Money for Nothing” Dire Straits’ biggest hit came about because Mark Knopfler eavesdropped in a New York City appliance store. According to the singer, guitarist, and chief songwriter for the band, he was browsing toward the back of the building, where an imposing row of televisions were all set to MTV, back when the cable network was still a sensation and took seriously the programming focus implied by the first letter of its name. An employee of the shop watched whatever music video was playing and offered a real-time, highly derogatory, and fairly offensive editorial reply. Knopfler reported grabbing a pen … Continue reading College Countdown: CMJ Top 250 Songs, 1979 – 1989, 145 – 143

One for Friday: Ben Folds, “Landed (alternate mix)”

Ben Folds unwittingly threw me a lifeline at precisely the moment I most deeply lamented what was happening in music. Ben Folds Five, the debut album from the trio that bore his name, arrived in the summer of 1995, just as “alternative rock” was peaking as a commercial radio format and simultaneously destroying itself with a thuddingly monotonous approach to playlists. As I listened from a bunker of a radio study, drowning in dispiriting, lifeless grunge knockoffs, I longed for something that just sounded different. One of the things I most valued about college radio was the sense that it … Continue reading One for Friday: Ben Folds, “Landed (alternate mix)”

One for Friday: The Bens, “The Emperor’s New Clothes”

It only made sense. A trio of Bens — with the last names of Folds, Kweller, and Lee — emerged on the alternative music scene at about the same time, in the mid-nineteen-nineties. (It’s not quite accurate to term them peers since two of the three were literally kids and the third could accurate reference multiple ex-wives in his lyrics.) Besides a forename, all three songwriters had a propensity for clever, genially comic lyrics. Around ten years later, the music business landscape around them had changed dramatically: album sales started their precipitous plummet, the once hot alternative radio format was … Continue reading One for Friday: The Bens, “The Emperor’s New Clothes”

College Countdown: CMJ Top 250 Songs, 1979 – 1989, 151 – 149

151. The Dead Milkmen, “Instant Club Hit (You’ll Dance to Anything)” The adamant disdain suggested by the parenthetical annexation to the Dead Milkmen single “Instant Club Hit” wasn’t a mistake. It was a clear expression of lead vocalist Rodney Anonymous’s intent in writing the song. “For a couple months, I hung out at this club in Philly,” Anonymous reported. “I have, like, no sense of rhythm, so I can’t dance. So I wouldn’t dance at this club. I’d just sit there at the bar and drink and growl, basically. To people like me who aren’t hair farmers, it’s just a horrible … Continue reading College Countdown: CMJ Top 250 Songs, 1979 – 1989, 151 – 149

One for Friday: The Billionaires, “The End of Summer Song”

I’ve already written about music so much this week, that I feel like maybe I should let the One for Friday song speak for itself for once. There can’t be all that much doubt as to my motivation for making this selection, right? Listen or download –> The Billionaires, “The End of Summer Song” (Disclaimer: Can I keep the disclaimer as short? Probably not! Though I’ve given it only the most cursory research, I believe the one and only full-length album from the Billionaires, which contains the shared song, to be out of print as a physical item that can … Continue reading One for Friday: The Billionaires, “The End of Summer Song”

The New Releases Shelf: and the Anonymous Nobody

Here’s my true confession, offered with more shame than usual: much of hip hop resides in my musical blind spot, or deaf spot, I suppose. I tried and tried when I was in college radio, as a slew of formative acts in the genre released seminal albums. Time and again, I was left cold, maybe admiring the material intellectually, but never holding it to my rebellious heart the way I did punk or even, in the words on Kathleen Hanna, “the whole, like, big-white-baby-with-an-ego-problem thing” form of alternative rock that took hold at about the same time. Back in those … Continue reading The New Releases Shelf: and the Anonymous Nobody

The New Releases Shelf: Emotion Side B

It happens every now and again. A pure pop performer, completely unabashed in their rejection of arty, anguished pretenses, flares up with a handful of songs that makes the cool, snobbish music aficionados decide the artist is briefly acceptable to embrace. Sometimes there’s a hint of irony to it, a genial protestation that insists a rule-proving exception is afoot. Kelly Clarkson had her dance on that particular floor several years back, when “Since U Been Gone” took up residence between Death Cab for Cutie and Decemberists on all the proudly scruffy mix CDs. These days, Carly Rae Jepsen is the … Continue reading The New Releases Shelf: Emotion Side B

The New Releases Shelf: Hit Reset

Let’s face it: punk isn’t known for its subtlety. So why not call the new album from the Julie Ruin, the band fronted by Kathleen Hanna, Hit Reset? The scorching performer has consistently taken charge of her own iconography ever since the days she and her band Bikini Kill punched back at grungy rock boy self-importance in the early nineteen-nineties, defining the fleeting but forceful riot grrrl movement in the process. Following an extended layoff from performing, necessitated by a humbling bout with Lyme disease, Hanna returned to the stage just last year. Officially the second full-length album from the … Continue reading The New Releases Shelf: Hit Reset