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One for Friday: Great Lakes Myth Society, “Summer Bonfire”

Dan Seeger

As I spend my first spring back in my native state of Wisconsin, I am reminded of the unique feelings that well up when it finally seems that winter, that harshest season, is irrevocably over. Those who’ve never endured the weather of the Upper Midwest perhaps don’t understand that snowy assaults can continue happening well past the point that seems at all reasonable, that these blustery heartbreaks might occur after a the false promise of a long stretch of beautiful, warm days. To live here, one acquires a defensive readiness to face down the cold yet one more time, as … Continue reading One for Friday: Great Lakes Myth Society, “Summer Bonfire”

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The New Releases Shelf: The Hope Six Demolition Project

Dan Seeger

It probably makes sense that Polly Jean Harvey has reach the point of full-on art installation, like Björk at MOMA. Disastrous as that particular exhibition may have been, it was indicative of a certain truth in the notion that the Icelandic performer in her overt and unyielding multifaceted creativity had reached the point where the standard progression of record and tour followed by another record and another no longer seemed sufficient. Similarly, when Harvey released the exemplary, transcendent Let England Shake, it really did seem that she’d come to a creative endpoint, exhausting all the possibilities of the album format. And … Continue reading The New Releases Shelf: The Hope Six Demolition Project

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College Countdown: CMJ Top 250 Songs, 1979 – 1989, 205 – 203

Dan Seeger

205. Los Lobos, “Will the Wolf Survive” While the track “Will the Wolf Survive” provided Los Lobos with the title, slightly modified, for their major label debut, it was the last song written for the album. According to the band members, the impetus for the song came in part from Dave Alvin, undoubtedly hanging around because of his personal and professional connections with the album’s co-producer, T Bone Burnett. Alvin surveyed the material Los Lobos had assembled for the 1984 release and suggested that what the band really needed was an anthem, something that truly and properly represented the their musical and cultural outlook. The worrisome … Continue reading College Countdown: CMJ Top 250 Songs, 1979 – 1989, 205 – 203

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One for Friday: Marshall Crenshaw, “Whatever Way the Wind Blows”

Dan Seeger

In my earliest couple of years at the college radio station, I mentally differentiated between those artists who completely belonged to us kids — those that I could see as rough contemporaries — and those who were, for lack of a better term, “adults.” This wasn’t always based purely on chronology. The Cure, for example, released their fourth studio album at around the same time Marshall Crenshaw released his first, but it was the Detroit native who I automatically slotted into a sort of college rock elder statesman role. After all, the Cure were still crafting songs that spoke directly … Continue reading One for Friday: Marshall Crenshaw, “Whatever Way the Wind Blows”

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College Countdown: CMJ Top 250 Songs, 1979 – 1989, 208 – 206

Dan Seeger

208. King Crimson, “Elephant Talk” Sure, there are many ways the King Crimson single “Elephant Talk” lives on, but perhaps its most unique legacy is lending its name to a groundbreaking web-based fan site. Well before most were adept at relating addresses with a well placed @, King Crimson fan Toby Howard started a newsletter meant to be distributed via email. Dubbed “Elephant Talk,” the first issue was distributed in the summer of 1991. That eventually led to a website of the same name, which further evolved into a wiki-style platform years later, after some twelve hundred plus issues over fifteen years, … Continue reading College Countdown: CMJ Top 250 Songs, 1979 – 1989, 208 – 206

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One for Friday: Ani Difranco, “When You Were Mine”

Dan Seeger

Though I grew up when Prince was at the height of his chart-dominating powers, I came to Purple One’s music late. It was my own fault. I listened to that melange of inverted pop, fiery funk, rafter-rattling rock, and provocatively challenging lyrics and I couldn’t find my entryway. I even remember standing in a record store holding vinyl copies of both Sign o’ the Times and Paul Simon’s Hearts and Bones, mulling which one to purchase, only to have a friend essentially tell me I wasn’t ready for Prince’s double album masterwork. He was right. (By now, I own it; … Continue reading One for Friday: Ani Difranco, “When You Were Mine”

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College Countdown: CMJ Top 250 Songs, 1979 – 1989, 211 – 209

Dan Seeger

211. The Boomtown Rats, “I Don’t Like Mondays” I suspect every last one of my college radio cohorts back in the day knew the backstory of the most notable single the Boomtown Rats ever released. At the very least, they had the basics. The band’s lead singer and chief songwriter, Bob Geldof, composed it after encountering a news story about Brenda Spencer, a sixteen-year-old in San Diego who opened fire on a neighboring schoolyard from a window in her family home. When a reporter got her on the telephone, she explained her motivation by blandly noting, “I don’t like Mondays.” (Spencer later … Continue reading College Countdown: CMJ Top 250 Songs, 1979 – 1989, 211 – 209

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One for Friday Encore: Mollie Donihe, “Come on Eileen (Cover)”

Dan Seeger

It is now a longstanding tradition that the Friday that ushers in the annual staging of the World’s Largest Trivia Contest by my broadcasting alma mater, WWSP-FM, is a day on which I post a version of “Come On Eileen.” As everyone knows, it is the official theme song of the Trivia team I play on. Really, everyone knows it, even Wikipedia: But the thought of hunting down a new take of this familiar song seems pointless to me when I already have a favorite cover version. This is my friend Mollie: She’s fantastic in countless ways. I could provide specifics, but I’m … Continue reading One for Friday Encore: Mollie Donihe, “Come on Eileen (Cover)”

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College Countdown: CMJ Top 250 Songs, 1979 – 1989, 214 – 212

Dan Seeger

214. Modern English, “I Melt with You” After the Snow, the second album from Modern English, represented a very deliberate stab at creating big pop hits. The band’s debut full-length, Mesh & Lace, released one year earlier, was very much in the gloomy, agitated post-punk mode perfected by Joy Division. When it came time to follow it up, they wanted to do something markedly different. At the time, lead singer Robbie Grey explained, “We could have easily carried on with the Mesh & Lace formula. We could have played the barren landscape, the heavy drumming, distorted guitars, and wailing vocals game … Continue reading College Countdown: CMJ Top 250 Songs, 1979 – 1989, 214 – 212