The New Releases Shelf: Leave Me Alone

I adore the way Leave Me Alone, the debut album from Hinds, shuffles to life with a distinct slacker ease, as if it’s trying to establish a code of ripe sonic lassitude. Album opener “Garden” recalls some of the hollowed out retro rock of the Best Coast brigade from a couple years back, but with an added distancing from the rigidity of popcraft. With its trudging backbeat, rickety anti-harmonies, and guitar lines that sound like they’re being played by arms collapsing out of exhaustion, “Garden” is a call to arms from a band choosing not to raise their voice too … Continue reading The New Releases Shelf: Leave Me Alone

College Countdown: CMJ Top 250 Songs, 1979 – 1989, #247 – #245

247. Pretenders, “Message of Love” Led by the magnetic Chrissie Hynde, the Pretenders flared to massive popularity quickly enough in the U.K. that the demand for new music started to outpace the band’s ability to deliver it. Hynde moved to London in the early nineteen-seventies, in part because she saw a greater likelihood of getting involved in the music scene she adored. Before long, she landed a gig with the magazine NME and started connecting with local musicians. The Pretenders formed in 1978, and they were charting U.K. hits by the following year, when their self-titled debut was also released. … Continue reading College Countdown: CMJ Top 250 Songs, 1979 – 1989, #247 – #245

One for Friday: Franz Nicolay, “This Is Not a Pipe”

Some Fridays I offer up elaborate personal history to accompany whatever song has been selected for the kindergarten-approved act of sharing, or I’ll at least delve into some aspect of the artist’s career that I admire. And then there are the instances when a song merely hit my ear just the right way during the week, somehow asserting itself as the right little gem to join the couple hundred other tracks that have been scattered digitally throughout the years. Franz Nicolay’s “This Is Not a Pipe” shuffled up this week, and it set me gently aswirl. To the degree that … Continue reading One for Friday: Franz Nicolay, “This Is Not a Pipe”

Top 40 Smash Taps: “I’ll Be Your Shelter (In Time of Storm)”

These posts are about the songs that can accurately claim to crossed the key line of chart success, becoming Top 40 hits on Billboard, but just barely. Every song featured in this series peaked at number 40. If a one-hit wonder is an artist who had a single trip to the Billboard Top 40, then Luther Ingram just barely sidesteps that designation. A staple of the R&B charts from the late nineteen-sixties to the end of the seventies — albeit one who had few major hits, even in that specialized realm — Ingram made it all the way up to #3 … Continue reading Top 40 Smash Taps: “I’ll Be Your Shelter (In Time of Storm)”

College Countdown: CMJ Top 250 Songs, 1979 – 1989, 250 – 248

250. The Knack, “My Sharona” By practically any measure, “My Sharona” was the biggest hit of 1979. Given the song’s back story, it was also likely the skeeziest. The debut single by the Knack, a group formed by ex-Sky member Doug Fieger, was targeted directly at a single girl. Sharona Alperin was a high school girl who Fieger had fallen hard for, developing a full-on fixation that was likely only compounded by her reluctance to reciprocate his affection. The most generous accounts place Alperin as seventeen at the time. Fieger was ten years older. Attempts to capture Alperin’s attention didn’t end with naming her … Continue reading College Countdown: CMJ Top 250 Songs, 1979 – 1989, 250 – 248

One for Friday: Tin Machine, “Baby Can Dance”

I doubt there’s anyone who considers Tin Machine to be first tier David Bowie. That includes myself. Even still, I hold a great deal of affection for the digression into clattering rock that Bowie made in the late nineteen-eighties. If Bowie dominated the seventies, the eighties proved to be a touch more complicated. For one thing, his remarkably prolific creativity ebbed somewhat. Bowie issued eleven solo studio albums during the seventies, and only four during the eighties. While he still had hits — he never had as strong of a showing with a trio of consecutive tracks on the U.K. charts … Continue reading One for Friday: Tin Machine, “Baby Can Dance”

David Bowie, 1947 – 2016

“TOMORROW BELONGS TO THOSE WHO CAN HEAR IT COMING” Fittingly, it is unreal, like an elaborate ruse. In my heart, it is simply another strange, challenging expression of restless artistry. David Bowie always had an otherworldly authority to him, even aside from the instances in which he purposefully claimed alien personae, so it stands to reason that a late-in-life guise, a long-gestating follow-up to Ziggy Stardust or the Thin White Duke, would involve something more ethereal. Here’s a method to haul the heavens down to the earthly firmament, claiming an angelic cloak nicely timed to coincide with the release of a new … Continue reading David Bowie, 1947 – 2016

College Countdown: CMJ Top 250 Songs, 1979 – 1989, An Introduction

Though I occasionally postured otherwise, I arrived at my college radio station in the fall of 1988 with a keen awareness that I had a lot to learn. Much as I wish I could report that I filled my high school years with gloomy nights in my basement bedroom playing Meat is Murder or Psychocandy over and over again, taking solace in the solidarity of bands that expertly tapped into levels of despair that had a tangy tinge of teenaged agony to them, I was a relative latecomer to college rock. There were surely flirtations before, but I didn’t fall … Continue reading College Countdown: CMJ Top 250 Songs, 1979 – 1989, An Introduction

One for Friday: Smart Remarks, “Mary’s Got Her Eye On Me Tonight”

I recently noticed that Little Hits is gone. As anyone who’s been scoring along at home might know, Little Hits was a music blog that went a long way towards inspiring this weekly feature. Updated regularly, the blog shared MP3s and reminiscences about the songs and bands they contained. My affection didn’t simply stem from the fact that I enjoyed the music shared there, nor was it the genial, knowledgable essays that earned my devotion. I did like the songs and the writing, but it was the actual nature of the selections that thrilled me, specifically the way in which the name … Continue reading One for Friday: Smart Remarks, “Mary’s Got Her Eye On Me Tonight”

Top 40 Smash Taps: “Breakdown”

These posts are about the songs that can accurately claim to crossed the key line of chart success, becoming Top 40 hits on Billboard, but just barely. Every song featured in this series peaked at number 40. Tom Petty made his way into the Billboard Top 40 sixteen times, with and without the Heartbreakers (including twice with Stevie Nicks, but never as a Wilbury). His very first visit to the charts was with his group’s debut single, albeit not right away. “Breakdown” was issued in 1976, and completely stalled out on the charts, as did the band’s self-titled debut album. … Continue reading Top 40 Smash Taps: “Breakdown”