College Countdown: 90FM’s Top 90 of 1995, 24 and 23

24. Everclear, Sparkle and Fade When I was at the height of my imperious, combative, disgruntled twenties, my contrarian streak could lead me to come dubious judgments, at least where new music was concerned. For example, while there’s some haziness around this memory (many of my most spirited music debates took place in the wee hours of beer-soaked evenings), I expended some of my taste capital announcing to whoever had the misfortune to be across the table that Everclear was one of the more underrated bands on the day and their 1995 release, Sparkle and Fade, deserved prominent mention in … Continue reading College Countdown: 90FM’s Top 90 of 1995, 24 and 23

One for Friday: Ednaswap, “Torn”

By the summer of 1998, the song “Torn” was practically unavoidable. I used to join a friend on an annual summertime jaunt intended to hit as many Major League ballparks as we could over a long weekend. While we always made sure the vehicle was stocked with plenty of mix tapes (competitively so), part of the ritual was scanning through local radio, including carefully cataloging which songs we heard the most. On that trip, “Torn” was the clear winner (though, to be fair, we likely zipped right past “The Boy is Mine,” which topped the Billboard charts for essentially the … Continue reading One for Friday: Ednaswap, “Torn”

The New Releases Shelf: Pageant Material

Best as I can determine, the only significant flaw of Pageant Material, the new album from Kacey Musgraves, is that it seems to inspire a unstoppable fleet of music writer think pieces, the sort of essays that helplessly consider music only in the context of some imagined greater trend. It can’t simply be that her second album for Mercury Nashville is a splendid example of songcraft, warmly and wittily performed. It somehow has to provide entry to commentary of the very nature of modern country music, usually delivered with withering condescension by music writers who’ve probably not listened to more … Continue reading The New Releases Shelf: Pageant Material

Top 40 Smash Taps: “Sweet Maxine”

These posts are about the songs that can accurately claim to crossed the key line of chart success, becoming Top 40 hits on Billboard, but just barely. Every song featured in this series peaked at number 40. “Sweet Maxine” is a song by the Doobie Brothers. Released as the second single from their 1975 album, Stampede, it brought them their eighth trip to the Billboard Top 40, although just barely. Across their career, they’d make it into the Top 40 a total of sixteen times, including two instances when they topped the chart. Not knowing anything about this particular song … Continue reading Top 40 Smash Taps: “Sweet Maxine”

College Countdown: 90FM’s Top 90 of 1995, 27 – 25

27. Smoking Popes, Born to Quit Smoking Popes hailed from the ‘burbs of Chicago and played exactly the sort of brash, punk-punched pop music that was necessary to get noticed in that noisy, busy city. Born to Quit was the band’s sophomore album, released initially on the local ultra-indie Johann’s Face Records before being picked up and reissued by Capitol Records, effectively making it their major label debut (though it would be entirely reasonable to affix that descriptor to their follow-up, 1997’s Destination Failure, which was actually recorded for Capitol and lived down to its title as it was a … Continue reading College Countdown: 90FM’s Top 90 of 1995, 27 – 25

One for Friday: Sam Phillips, “Tripping Over Gravity”

I’m fairly certain I found my way to Sam Phillips through Rolling Stone magazine. As I’ve noted before, I was a devoted disciple on the magazine through my high school years, doing the best I could to glean from it what I needed to know about the vast land of rock ‘n’ roll that my local radio stations weren’t providing. That got me trapped in the magazine’s wearying predilections (Neil Young is an important artist, but not every damn album in a masterpiece), but I occasionally had just enough of an instinct to remember the albums that were offered effusive if … Continue reading One for Friday: Sam Phillips, “Tripping Over Gravity”

College Countdown: 90FM’s Top 90 of 1995, 30 – 28

30. Bush, Sixteen Stone A few year backs, when I called a different online space my digital home, I spent an entire day watching Michael Bay films and chronicling the experience for anyone who cared to read. I’d sworn off the efforts of the director following the appalling Armageddon, and decided, for reasons that escape me now, to watch everything I’d missed, in chronological order, across one morning and afternoon, culminating with an evening viewing of Transformers. I tried reading a book afterward and couldn’t do it. That’s how bad the endless march of terrible filmmaking scrambled my brain. While recently … Continue reading College Countdown: 90FM’s Top 90 of 1995, 30 – 28

One for Friday: Daryl and the Chaperones, “My Baby’s a Spy”

As happens periodically in this weekly space, I’m drawing the song to share from the bevy of splendid musical wonders I plucked from an old blog called Little Hits. As with other material parked on the World Wide Web, all of the writing on the blog remains, though it’s approaching ten years since it’s been updated. All the song links seem to be defunct, so consider this entry another modest attempt at preserving some of the extraordinary music shared on the blog that first inspired me to dig into my own collection to help fill Fridays. (With rare exceptions, I don’t … Continue reading One for Friday: Daryl and the Chaperones, “My Baby’s a Spy”

Top 40 Smash Taps: “Just a Little”

These posts are about the songs that can accurately claim to crossed the key line of chart success, becoming Top 40 hits on Billboard, but just barely. Every song featured in this series peaked at number 40. Brenda Lee saw two straight singles climb all the way to the top of the Billboard chart in 1960, when she was still a teenager. It was the beginning of a stretch of enormous success that allowed her to claim a quantity of chart hits in the sixties surpassed by only Elvis Presley, the Beatles, and Ray Charles. “I’m Sorry” resided at #1 for … Continue reading Top 40 Smash Taps: “Just a Little”

College Countdown: 90FM’s Top 90 of 1995, 32 and 31

32. Love Battery, Straight Freak Ticket It often seemed that playing grunge music and being from Seattle basically combined up to create a golden ticket for qualifying bands in the early-to-mid-nineties, but the crossover success wasn’t uniformly distributed. Love Battery had the right sound and the correct zip code. What they didn’t have was a label that knew how to market them. Straight Freak Ticket was the band’s fourth album overall and their first full-length since jumping from Sub Pop Records to Atlas Records. It obviously did pretty well with at least one batch of college kids. As far as I can … Continue reading College Countdown: 90FM’s Top 90 of 1995, 32 and 31