College Countdown: 90FM’s Top 90 of 1996, 54 and 53

54. The Cure, Wild Mood Swings Many observers thought the Cure might be finished after their 1992 album, Wish, though that was hardly the first time the disintegration of the band was predicted. (There may have been some who would have preferred the band shuffle away for good after the their yucky Judge Dredd theme song.) Those doomsayers forgot Robert Smith’s endless capacity for regenerating his chief creative outlet and eyeliner-streaked cash cow. Wild Mood Swings, the band’s tenth album, was released in the late spring, the precise time frame that worked well for them since 1987’s Kiss Me, Kiss … Continue reading College Countdown: 90FM’s Top 90 of 1996, 54 and 53

One for Friday: The Balancing Act, “A TV Guide in the Olduvai Gorge”

It’s been a little over a year since I finally secured a turntable after several years without, as a friend of mine once called the device, a vinyl-spinner. It was absolutely wonderful to track through the remainder of my record collection, often playing things that I figured (somewhat erroneously, as it turns out) were essentially entirely unattainable these days. Turns out, though, that the main appeal of having a turntable again is being able to shop for records again. I’m not referring to the new culture of 180 gram vinyl rapturous collecting (though my household does occasionally succumb to that … Continue reading One for Friday: The Balancing Act, “A TV Guide in the Olduvai Gorge”

Top 40 Smash Taps: “Give It to Me Baby” and “Cold Blooded”

These posts are about the songs that can accurately claim to crossed the key line of chart success, becoming Top 40 hits on Billboard, but just barely. Every song featured in this series peaked at number 40. “Give It to Me Baby” gave Rick James his second trip to the Billboard Top 40, following “You and I,” released in 1978. “Give it To Me Baby” was the first single from James’s 1981 album, Street Songs. A smash on the R&B charts, where it went all the way to the top, James had to settle for more modest crossover success, as … Continue reading Top 40 Smash Taps: “Give It to Me Baby” and “Cold Blooded”

College Countdown: 90FM’s Top 90 of 1996, 56 and 55

56. Sublime, Sublime The third album from the Long Beach, California band Sublime was originally titled Killin’ It. Then lead singer Bradley Nowell died of a heroin overdose at the age of twenty-eight, approximately two months before the album’s release. The death came about a week after his wedding to Troy Dendekker and at the beginning of a tour intended to start building buzz for the band’s major label debut. MCA Records considered scrapping the album release altogether, but finally decided with the band that they would simply change the title, making it into an eponymous effort. Perhaps helped by … Continue reading College Countdown: 90FM’s Top 90 of 1996, 56 and 55

Spectrum Check

I pitched it with loads of words this week at Spectrum Culture. First off, I contributed a review of the new Smith Westerns album, an effort I’ve been sitting on for a while because of a shifting release date. I wish the extra time had helped me like the album more, but it wound up being one of those reviews where I really wanted to write, “Pretty dull, huh?” and move on. Too bad, as I liked their previous album quite a bit. Things were a little better for me on the film side, which is my main home on … Continue reading Spectrum Check

One for Friday: The Farm, “Groovy Train”

I could be retroactively ascribing insight to my band of college radio cohorts, but I do believe there were times when we knew–really knew–a band was going to be amount to little more than one great song. The Liverpudlian band the Farm had other successes besides “Groovy Train,” especially in their native land. Hell, the follow-up single, “All Together Now,” actually charted higher everywhere, including on the stateside Modern Rock lists. But even now I hear that track and I’m struck by the weary idle of its gleaming pop, like it was pulled together by a compromise committee in order … Continue reading One for Friday: The Farm, “Groovy Train”

Spectrum Check

The holiday led to slightly shortened week at Spectrum Culture, but I got a few words up. First off, I contributes a new film review, covering a documentary about the process behind being dubbed a Master Sommerlier. As usual, any time my interest drifts towards win, I have one person to thank. I also contributed to our list of the best albums of the year, so far, a practice that has apparently become a requirement for all review sites. As this little corner of the web regularly attests, I’ve no problem making lists, but I do think the midpoint tallies … Continue reading Spectrum Check

One for Friday: Bonnie Dobson, “Good Morning Rain”

Usually, I reserve this weekly feature to pine nostalgically over some song that held special prominence during my college radio days or maybe to wax rhapsodic over a track I discovered in the wilds of the interweb, exposing me to an artist who’d evading my notice up until the digital windfall came my way. Today’s offering theoretically qualifies as the former, although I can’t say that stumbling upon this particular song from Canadian singer-songwriter Bonnie Dobson made me into an obsessively hunt for more of the sweet, sentimental folk music she plied back in the late-sixties and early-seventies, when this … Continue reading One for Friday: Bonnie Dobson, “Good Morning Rain”