Top 40 Smash Taps: “Who Do You Think You’re Foolin'”

These posts are about the songs that can accurately claim to crossed the key line of chart success, becoming Top 40 hits on Billboard, but just barely. Every song featured in this series peaked at number 40. If there’s any doubt whatsoever that Donna Summer was the queen of the disco era, consider the following: in 1978 and 1979, Summer had three consecutive double albums top the Billboard chart, the first artist to accomplish that feat, and placed four separate singles atop the Hot 100, including a duet with Barbra Streisand (amazingly, “Last Dance,” practically the official anthem of disco … Continue reading Top 40 Smash Taps: “Who Do You Think You’re Foolin’”

Spectrum Check

The Memorial Day holiday made for a truncated week at Spectrum Culture, but a convergence of minor issues meant that I had the rare instance of two different new movie reviews go up. First, I wrote on Hannah Arendt, about a writer and intellectual who covered the Adolf Eichmann trial for The New Yorker. Keeping with the heavy subject matter, I reviewed Shadow Dancer, centered on the The Troubles in Ireland, its own sort of period piece, taking place in the mid-nineties. Probably the most notable aspect of this film is the director, James Marsh. He won the Best Documentary … Continue reading Spectrum Check

One for Friday: Robyn Hitchcock, “Sinister But She Was Happy”

I remember finding it bizarre when the first Robyn Hitchcock album on Warner Bros. Records arrived in 1996. He had been on a major label before, having released four albums on A&M through the late eighties and early nineties. Still, there was something about seeing that iconic WB logo–about as major as a label could get at the time–affixed to a record by college radio’s resident warped genius. It was hard to conceive of their promotions department having any idea whatsoever as to how to market this thing, and Hitchcock’s relatively brief stay with the label seemed to confirm that. … Continue reading One for Friday: Robyn Hitchcock, “Sinister But She Was Happy”

Spectrum Check

My writing week with Spectrum Culture started with a look backward. Our Revisit series cycles through all the music writers, and my turn came up. I always have an extremely difficult time figuring out what to write on for this feature, usually defaulting to an album I know inside out. This time, that meant a few words on my favorite Billy Bragg album. For the film reviews, I wrote on new horror movie, directed by Katie Asleton and written by her husband, Mark Duplass. I thought it was solid, though I should note that the person in our household with … Continue reading Spectrum Check

One for Friday: Jerry Harrison: Casual Gods, “Rev It Up”

Though I started at the college radio station in the fall of 1988, my first time on air was a few months before that. While in high school outside of Madison, Wisconsin, I turned into a little bit of a geek boy fan, listening to local radio station WMAD-FM and calling up the deejays to discuss music. I vaguely remember a couple longer conversations with their overnight guy and one day when I called in a talked at length with the midday jock about the new Springsteen album, which I’m sure the radio professional on the other end found mercilessly … Continue reading One for Friday: Jerry Harrison: Casual Gods, “Rev It Up”

Top 40 Smash Taps: “Nature Boy”

These posts are about the songs that can accurately claim to crossed the key line of chart success, becoming Top 40 hits on Billboard, but just barely. Every song featured in this series peaked at number 40. Bobby Darin has a remarkable twenty-two singles make it onto the Billboard Top 40, including an especially notable chart-topper. Though Darin was an accomplished songwriter, penning a number of his own hits, he had some of his greatest successes with covers, including “Beyond the Sea,” the English language translation of a French song that become enough of a signature tune that its title … Continue reading Top 40 Smash Taps: “Nature Boy”