One for Friday: Emmylou Harris, “Amarillo”

I like shopping for records. And I specifically mean records, large vinyl discs in cardboard sleeves. Of course, it’s the music (or the comedy, or the…uh…miscellaneous) pressed onto them that I’m really after, but there’s something very different about the tactile quality of going through record albums that entirely exceeds the same experience done with CDs or some other format. I’m prepared to attribute that somewhat to nostalgia. There’s no getting around that. I think there is more to it, though, especially when it comes to used albums. There’s the larger presentation to the art, the added sense of anticipation … Continue reading One for Friday: Emmylou Harris, “Amarillo”

Top 40 Smash Taps: “A Love So Fine”

These posts are about the songs that can accurately claim to crossed the key line of chart success, becoming Top 40 hits on Billboard, but just barely. Every song featured in this series peaked at number 40. The Chiffons came into being when Ronald Mack heard three girls singing together in a Bronx high school lunchroom. A fourth member was recruited and Mack wrote them a batch of songs, including “He’s So Fine,” which the group recorded with the Tokens as their backing band. The Chiffons kept experimenting–including the release of two charting singles as the Four Pennies–but it quickly … Continue reading Top 40 Smash Taps: “A Love So Fine”

Spectrum Check

This was a typical week at Spectrum Culture for me: one movie, one album. On the film side of things, I reviewed the Kid-Thing, which has inspired other critics to all sorts of quasi-surreal interpretations but which I found to be a middling drama with a virulently indie sensibility. As I alluded on Twitter, I was inordinately pleased that I worked in the term “dirtbag kitsch” in writing about the film. I wrote about the debut album from Rose Windows for the music section. I’m not certain what inspired me to raise my hand for this one in the first … Continue reading Spectrum Check

One for Friday: The Cost of Living, “Could Be Mine”

Maybe my memory is selective (it’s definitely faulty), but I don’t remember there being such anxious discussion around identifying the official song of the summer way back when. It could be that the consensus was formerly reached with greater ease, though I suspect it has more to do with a modern desire to create shared pop culture experiences. In Spotify’s world, how relevant is the biggest radio song of the summer unless we make it so? Best as I can tell, the current debate is between the genius of Daft Punk and some Robin Thicke track which I haven’t knowing … Continue reading One for Friday: The Cost of Living, “Could Be Mine”

One for Friday: Jerry Reed, “Bandit Ball”

I love that the World Wide Web is the location of the greatest music swap in history. While I often actively gripe about the evil machinations of the RIAA, I’ll also concede that I get why they don’t particularly care for it. When an organization’s entire mandate is to squeeze every potential penny out of consumers for fat cat executives–don’t kid yourself for a moment that the RIAA is actually looking out for the artists; that “I” is for “Industry”–then seeing the new Kanye West record pop up for free on a fleet of sites before it’s even legally available … Continue reading One for Friday: Jerry Reed, “Bandit Ball”

Top 40 Smash Taps: “Who’s Sorry Now?”

These posts are about the songs that can accurately claim to crossed the key line of chart success, becoming Top 40 hits on Billboard, but just barely. Every song featured in this series peaked at number 40. She’s a little bit country, you know. Before Marie Osmond was paired up with her brother Donny on to infiltrate the homes of unsuspecting American viewers (a Faustian partnership that continues to this very day), she had a reasonably successful career as a country music artist, most notably with her debut single, “Paper Roses,” which topped the country charts and made it to … Continue reading Top 40 Smash Taps: “Who’s Sorry Now?”

One for Friday: Cheating Off of Someone Else’s Paper

While I try not to cede this weekly space entirely to the efforts of others, there is indeed a precedent. We’ve just returned from almost a week away, and my brain is soft, pliable and unable to think of a good entry for this week. Honestly, I can’t even come up with a wildly creative, obscure song selection. But there’s always Mr. Robyn Hitchcock… Continue reading One for Friday: Cheating Off of Someone Else’s Paper