Spectrum Check

I pitched in for both of my regular areas this week at Spectrum Culture. On the film side, I wrote a review of a new documentary on the widely protested incarceration of Mumia Abu-Jamal. I actually took this one on for a very specific reason: I’ve now spent at least twenty years hearing cries of “Free Mumia” from a certain, impassioned subsection of society, without ever hearing a corresponding explanation for why his sentence is unjust. I presumed the documentary would provide that, but it instead glossed over the particulars of the situation in much the same way I was … Continue reading Spectrum Check

Spectrum Check

There were plenty of my upstart opinions flung around digitally this week at Spectrum Culture. Among the film reviews, there was my take on a new indie thriller, the sort of neo-noir that had a momentary spell of prominence in the mid-nineties. That’s not to imply that this new effort was outdated. Instead, it’s major sin was its unrelenting dullness. I’ve been sitting on a fair number of albums from late 2012 while still picking up new releases to review, and that stockpiling led to a pair of pieces this past week. I reviewed the second full-length from the Joy … Continue reading Spectrum Check

Spectrum Check

I had a busy week over at Spectrum Culture. I usually lead off this recap with the pieces I wrote for the film section, but given yesterday’s One for Friday post in this space spring directly from the new music review I wrote, it seems more appropriate to begin there. I often pick up releases from the bands that endure from my college radio days since I figure I have a little more authority in writing about them. That rarely results in getting the chance to celebrate a genuinely great records, but that’s exactly the pleasure I had with the … Continue reading Spectrum Check