Then Playing — Laggies; This Changes Everything; Buck and the Preacher

Laggies (Lynn Shelton, 2014). There are other films that depict a twenty-something character’s panicked retreat from the looming responsibility of adulthood, but few make the minor insurrection as charmingly pathetic as Laggies. Directed by Lynn Shelton (working from someone else’s … Continue reading Then Playing — Laggies; This Changes Everything; Buck and the Preacher

Branagh, Brooks, Leigh, McGrath, Trank

Cinderella (Kenneth Branagh, 2015). It’s grading on the most generous of curves, but as a crass attempt to develop a new revenue stream for a beloved Disney animated class, the live action Cinderella isn’t so bad. It’s certainly a damn sight better than the grotesque senses assault of Tim Burton’s Alice in Wonderland, which basically established this type of cinematic tomb raiding. Similarly, Kenneth Branagh’s directing is more tightly controlled and snappily efficient than anything else he’s done in ages, the stricter corporate oversight perhaps taming his penchant for dragging indulgence. Most of the acting is merely perfunctory, save for … Continue reading Branagh, Brooks, Leigh, McGrath, Trank

Landis, McDonagh, Nichols, Parks, Trevorrow

The Blues Brothers (John Landis, 1980). I routinely think of this musical-action-comedy as the strongest film of the many that have been spun off from Saturday Night Live recurring characters, though we’re admittedly looking at a shallow, fetid pool. A recent fresh viewing suggests I might have been inflating in, undoubtedly on the basis of how freely I and my cohort of dopey high school friends quoted it, as if reciting a bar order of “three orange whips” at a purportedly clever moment would position us as comic geniuses. The movie is more slapdash than I remembered and spotted with … Continue reading Landis, McDonagh, Nichols, Parks, Trevorrow