30. Bush, Sixteen Stone A few year backs, when I called a different online space my digital home, I spent an entire day watching Michael Bay films and chronicling the experience for anyone who cared to read. I’d sworn off the efforts of the director following the appalling Armageddon, and decided, for reasons that escape me now, to watch everything I’d missed, in chronological order, across one morning and afternoon, culminating with an evening viewing of Transformers. I tried reading a book afterward and couldn’t do it. That’s how bad the endless march of terrible filmmaking scrambled my brain. While recently … Continue reading College Countdown: 90FM’s Top 90 of 1995, 30 – 28

32. Love Battery, Straight Freak Ticket It often seemed that playing grunge music and being from Seattle basically combined up to create a golden ticket for qualifying bands in the early-to-mid-nineties, but the crossover success wasn’t uniformly distributed. Love Battery had the right sound and the correct zip code. What they didn’t have was a label that knew how to market them. Straight Freak Ticket was the band’s fourth album overall and their first full-length since jumping from Sub Pop Records to Atlas Records. It obviously did pretty well with at least one batch of college kids. As far as I can … Continue reading College Countdown: 90FM’s Top 90 of 1995, 32 and 31

35. The Rugburns, Taking the World by Donkey I have no recollection of the Rugburns. While there are plenty of acts on this list that barely registered for me because I was insulated from some of the more adventurous picks by working for a commercial “new rock alternative” station at the time, I think there may have been other things dissuading me from looking into this band’s musical oeuvre. Like their name, and the name of their album. And the name of their preceding full-length, which was called Morning Wood. It seems their records were dominated by acoustic-guitar based, mildly … Continue reading College Countdown: 90FM’s Top 90 of 1995, 35-33

38. The Gufs, Collide Evidently, Milwaukee’s the Gufs took their name from a Demi Moore, and I don’t there are many bands that can claim that. The band formed in 1988, the same year as the Moore-starring horror thriller The Seventh Sign, which puts forward the term as the place babies’ souls are stored before they’re born. As source material goes, this is certainly not as cool as, say, nicking a band name from a Don Delillo novel. Still, the Gufs were one of the bigger Wisconsin bands at the time, earning the 1992 Album of the Year WAMI award (the Wisconsin Area … Continue reading College Countdown: 90FM’s Top 90 of 1995, 38-36

41. The Pooh Sticks, Optimistic Fool The Pooh Sticks were one of those bands that received lavish praise from certain quarters, but rarely made much more than marginal headway with anyone other than music critics. That’s probably chiefly attributable to the annoying little detail that the band were little more than an elaborate put-on, the brainchild of Fierce Recordings co-founder Steve Gregory. The music indulges in tried and true rock posturing, tugging the the tropes through a filter of Pavement-style self-satisfied arch mockery. I suppose that’s great for some (there are an awful lot of Pavement devotees, after all), but i … Continue reading College Countdown: 90FM’s Top 90 of 1995, 41-39

44. Elastica, Elastica I owe the 1995 on-air lineup of 90FM an apology. Down around #67 on our chart, I groused that the self-titled debut of Elastica didn’t show up anywhere on this list. Turns out my research methods were highly faulty, because the post-punk sensation out of London is right here, very respectably taking up territory right around the midpoint of the year-end tally. If the attention heaped on Elastica almost makes this placement seem modest, they were also one of those bands that endured one of those rapid-fire turn-arounds from hyped adoration to snippy backlash. Part of what … Continue reading College Countdown: 90FM’s Top 90 of 1995, 44-42

46. Wax, 13 Unlucky Numbers While the nineteen-eighties was surely the peak of influence for music videos, the nineteen-nineties, at least the early to middle part of that decade-long span, represents the stretch of time when the directors behind those promotional efforts had their collective heyday. I don’t remember anyone really talking about the filmmakers behind the seminal videos of MTV’s first years, but director Spike Jonze was as famous — or maybe even more famous at times — as the artists for whom he helped craft music videos. Yes, the Los Angeles punk band Wax had just enough credibility that … Continue reading College Countdown: 90FM’s Top 90 of 1995, 46 and 45

48. Push, Shamefaced Like a lot of college radio stations, 90FM proclaimed a strong dedication to local music. In the case of our station, we expanded “local” to mean anything that originated, even initially, in the state of Wisconsin. By the time I arrived there in the late nineteen-eighties, no one was really thinking of Violent Femmes as a Milwaukee band, for example, but that’s where they started, so that was good enough for us. There was one band that showed up in the mid-nineties that was not only from our town of Stevens Point, they were populated by, on … Continue reading College Countdown: 90FM’s Top 90 of 1995, 48 and 47

51. King Crimson, Thrak It’s so bizarre to me that the 90FM charts from around this time are peppered with the sort of improbably enduring prog rock bands that I thought I and my cohorts had swept out of the main airplay times with an aggressive recalibration of the stacks a couple years earlier (the 1996 list previously counted down had a Rush album in it, which I think is at least partially explained by the fervent fandom of a good friend who graduated that particular year). Thrak was the first full-length studio album by King Crimson in over ten years. Multi-instrumentalist … Continue reading College Countdown: 90FM’s Top 90 of 1995, 51-49

Now where were we? Ah, yes…. 54. Suddenly, Tammy!, We Get There When We Do I originally intended to tap out a longer review of this particular release, but getting my ears on it proved as elusive now as it was for me then. I read a review of We Get There When We Do somewhere — most likely CMJ New Music Monthly — and immediate decided it was likely in my aural taste wheelhouse, probably because of comparisons with Juliana Hatfield (lead singer Beth Sorrentino sometimes sounds like a vocal twin) and a weakness for piano-based pop that compelled me … Continue reading College Countdown: 90FM’s Top 90 of 1995, 54-52