Hallelujah (King Vidor, 1929). Hampered by problematic stereotypes imposed by studio leadership that was otherwise unwilling to fund a production featuring a cast entirely comprised of Black performers, Hallelujah nonetheless provides a hint as how different the Golden Age of … Continue reading Then Playing — Hallelujah; Ghostbusters: Afterlife; Villain
Keeper of the Flame (George Cukor, 1943). Only the second film to boast the famed pairing of Katharine Hepburn and Spencer Tracy, Keeper of the Flame is a stern, stout-hearted drama that too often has the life knocked out of … Continue reading Playing Catch-Up — Keeper of the Flame; A Star is Born; The Front Runner
Tully (Jason Reitman, 2018). Working with a script by Diablo Cody, the writer behind two of his best outings, and a compelling, vanity-free performance by Charlize Theron, director Jason Reitman creates a film that is almost jarring in its bleak … Continue reading Playing Catch-Up — Tully; Can You Ever Forgive Me; The Smart Studios Story
Jason Reitman has a new movie out this week, reportedly an effort that finds him back on track following a couple widely derided cinematic disasters. When I was first applying my resharpened film critic pencil, I wrote about Reitman’s feature … Continue reading From the Archive — Thank You for Smoking
Few filmmakers experienced quite as precipitous a drop as Jason Reitman. He went from back-to-back Best Director nominations to a pair of films that were universally panned (with, it’s worth noting, one compromised but ambition feature in between). Through it all, he’s at least had the live reads, regular events that brought together impressive groups of actors to offer one-time-only, live stage performances of some truly beloved screenplays. Though the event is officially retired as an ongoing concern, Reitman is clearly keeping it in his back pocket, ready to throw on the table when the moment is right, such as a … Continue reading From the Archive: Juno
Young Adult reunites director Jason Reitman and screenwriter Diablo Cody four years after their shared breakthrough with Juno. In different ways, to different degrees, both creators come into the movie with a little something to prove. Despite an even better follow-up film, Reitman still has his vocal detractors, those who find his efforts a little too slick and glib. Cody, though an enthusiastic Oscar winner for her Juno efforts, faced an even sterner backlash, largely on the basis of another produced screenplay that was smothered into lifelessness by the same sort of dialogue of inventive slang that gained her attention … Continue reading I never thought I would come of age, let alone on a moldy page
Jason Reitman’s third feature as a writer-director is perfectly positioned to tap into the dismal zeitgeist of economic hardship and jobs that are vanishing as fast as double scotches in a hotel bar. George Clooney doesn’t just play a businessman who spends most of his life jetting from city to city, entirely untethered from a settled life. He’s a hired hit man, taking up temporary residence in the conference rooms of failing firms to tell a morose parade of professionals that they are are loosing their livelihoods. It’s a bleakly comic reflection of the most downbeat pages of today’s newspaper. … Continue reading Top Ten Movies of 2009 — Number Two
There have already been plenty of words devoted to all the ways in which Jason Reitman’s Up in the Air is especially timely, so let’s instead consider the elements that make it timeless. Yes, the profession of the film’s main … Continue reading Trying to fly away might have been your first mistake
Coffee for Two 