I keep hunting my brain for the proper hyperbole to affix to the new, self-titled release from St. Vincent. The album, a release that seems at once playful and revolutionary, almost demands such breathless praise. There’s an implicit invitation to … Continue reading The New Releases Shelf: St. Vincent
I’m prepared to admit that I can’t always readily identify what makes a great album great. Sometimes, sure, there’s a clear vision, a great leap forward for an artists, or some wholly evident backstory that adds depth to the melding … Continue reading The New Releases Shelf: Burn Your Fire for No Witness
Sometime during the making of Too True, the third full-length from Dum Dum Girls, frontwoman Dee Dee (also known as Kristin Welchez) literally lost her voice. According to her, that caused a slow-down in the creative process, giving extra scrutiny … Continue reading The New Releases Shelf: Too True
My strong impression of Bruce Springsteen’s general approach to crafting albums is that he agonizes over every bit of every song, and then he agonizes some more about the way those songs fit together. This leads to the perception (and … Continue reading The New Releases Shelf: High Hopes
This isn’t usually the digital corner where I share my thoughts on new releases (that’s done elsewhere), but I got a special request from a good friend so here we are. Maybe this will be a one-off, maybe the first of many. Here’s my true confession about My Bloody Valentine: I didn’t grasp the significance of the band the first time around. I didn’t even get just how good they were. Part of that was because their true masterwork, 1991’s Loveless, initially struck me as part of a trend instead of a buzzy revolution all on its own. It was … Continue reading Love? Less.
Coffee for Two 