Top Fifty Films of the 40s — Number Thirty-Five

#35 — All the King’s Men (Robert Rossen, 1949) Robert Penn Warren’s novel All the King’s Men was first published in 1946, just a few years after he left a teaching post at Louisiana State University. Warren openly acknowledged the heavy influence his time in the Bayou State had on his best-known novel. Willie Stark, the central character of the book, was inspired by Huey Long, the famed and infamous governor and senator from Louisiana who was known for the power he wielded and the astonishing levels of corruption that ran through his career. The totality of the United States … Continue reading Top Fifty Films of the 40s — Number Thirty-Five

Here comes the movies with dialogue so cool — why did they never tell me to speak like that in primary school?

Breaking and Entering (Anthony Minghella, 2006). Unexpectedly standing as the last feature film from Minghella, Breaking is evidence that we’ve lost someone from the dwindling population of directors interested in crafting films for grown-ups. With its tricky plot, its examination of delicate matters such as the growing chasm between economic classes and its unapologetic willingness to let the messiness of life seep into its framework, it’s hard to imagine that anyone ever expected this to become a substantial earner at the box office. Yet there it is, playing out with delicate insight and unfussy emotion. There’s a quiet ache to … Continue reading Here comes the movies with dialogue so cool — why did they never tell me to speak like that in primary school?