Spectrum Check

As is usually the case, a light week for me at Spectrum Culture begets one that is especially busy. First, I contributed a review of a new documentary about men who use flight simulators and online multi-player gaming technology to engage in digitized reenactments of World War II battles. There’s plenty of material there for an interesting, even enlightening film, but it’s too jumbled to bring those ideas cogently together, a problem which is evident from very early on. Thankfully, it was also quite short. On the music side, I reviewed the new release from Black Moth Super Rainbow, which … Continue reading Spectrum Check

Spectrum Check

This was a week strictly about film for me at Spectrum Culture. My main piece of writing was a review of a new documentary about an ongoing photography project intended to relay easily understandable evidence of the effects of climate change. It’s quite good, which also means it’s highly depressing. I also bookended the latest edition of our ongoing survey of the best comedic performances of each year of each decade. This time getting the privilege of two of the very best acting jobs of the whole decade, comedic or not. Continue reading Spectrum Check

Spectrum Check

As I noted last week, I had several more pieces go up at Spectrum Culture in my second full week back, in part because of some backlogged music releases. That effectively describes the first thing I had go up this week, a review of the sophomore effort from the U.K. band the Vaccines. My unimpressed assessment proved to be the appropriate kick-off to a week of bad reviews. On the film side, I offered an evaluation of the new documentary about the late Graham Chapman of Monty Python fame. Especially given the life being drawn upon, the film is shockingly … Continue reading Spectrum Check

Spectrum Check

Since I was gone for a week, I intentionally withdrew from selecting new items to review for Spectrum Culture, and my editor was kind enough to refrain from assigning due date for the one or two things I had that were, frankly, a little overdue. I’ll pay for that mercy a bit in the week ahead as I’ve got a lot of writing to do. For this past week, however, the only thing I had go up on the site was my contribution to the next installment in our year-by-year survey of great comedic performances. I’m especially glad the filmography … Continue reading Spectrum Check

Spectrum Check

Since I’ve been traveling the past week, I didn’t contribute much to Spectrum Culture, so I’ll actually reach back a couple weeks to note my contributions to pair of features that I had a hand in creating in the first place. There is an occasional “Playlist” feature at the site, which finds the staff combing through the entire discography of an artist to come to some level of consensus about the best track from each release. For the most recent edition, my suggestion as to who to cover won the day and we examined the collected work of The Cure. … Continue reading Spectrum Check

Spectrum Check

I had a fairly light week at Spectrum Culture, in part because a malfunctioning streaming screener caused me to falter in my marital pledge to use my position as a film reviewer to secure access to intriguing new horror films. Instead, I only had a single music review go up, covering the full-length debut of Poor Moon, a Fleet Foxes side project. It’s mostly a useful album for those looking for a sleep aid. I also kicked in a few words for this week’s List Inconsequential, focused on cover songs that are better than the originals. In this instance, I … Continue reading Spectrum Check

Spectrum Check

I had another fairly typical week at Spectrum Culture with one full contribution apiece on the film and music sides. For the former, I reviewed a new documentary focused on the heated immigration issue in the United States. Unfortunately, it falls into one of the pitfalls common to modern documentaries: straining to do far too much. As for music, I reviewed a new compilation of classic, obscure soul music from the generally excellent Now-Again label. As usual, the crate-digger depths of discovery are impressive in the tracks selected, but the intensive focus on ballad-driven, so-called “sweet soul” winds up giving … Continue reading Spectrum Check

Spectrum Check

So I had a busy week at Spectrum Culture. Almost too busy. I’m not sure anyone needs that many of my words. It started with my latest contribution to the Revisit series over on the film side, a consideration of Wayne Wang’s Smoke. I recently confessed to the site’s editor-in-chief that this is the toughest feature for me to crack, trying to find something freshly pertinent to write about films that I know well. And I want to write about something that’s a somewhat unique selection, not simply celebrate films that have no shortage of advocates. I think I did … Continue reading Spectrum Check

Spectrum Check

This week at Spectrum Culture, the significant mound of assignments I’ve picked up lately started to catch up with me (though not at the level of the next crazy few days). It was one of those rare weeks when I had two new film reviews up. As it turns out, both were documentaries and both were at least somewhat disappointing. First, I offered an assessment of the new film from Ricki Stern and Annie Sundberg. I selected it because I figured its subject matter–baseball knuckleballers–made me a little more qualified to review it than many of my cohorts at the … Continue reading Spectrum Check