Cloud Atlas (Tom Tykwer, Lana Wachowski, and Lilly Wachowski, 2012). Based on the dense, woven basket David Mitchell novel of the same name, Cloud Atlas is an escalating dare as cinema. The film freely intercuts between six different plots, spanning … Continue reading Playing Catch-Up —Cloud Atlas; Margaret; Venom
There’s no particular inspiration for extracting this old review from the archive today. It is one of the fairly random raids of my old writing. The only annotation I’ll offer is the retrospective conviction that Alexander Payne’s segment is strongest in the film. It’s the one that has stuck with me. The new film Paris, je t’aime brings together eighteen directors (or teams of directors) to create short films celebrating the beloved city of the title. There is no through-line, no overlap, nothing that connects the pieces together. It seems everyone was given the the freedom to construct whatever they … Continue reading From the Archive — Paris, je t’aime
Three Colors: Blue (Krzysztof Kieslowski, 1993). The first film in Kieslowski’s famed Three Colors trilogy stars Juliette Binoche as a woman dealing with the recent death of her famous husband and young daughter in a car crash. She retreats from the world, getting drawn back only reluctantly, in part due to interest and controversy over her spouse’s last, incomplete work. There’s tremendous thematic heft in the work, with the specter of mortality drawn over the entire work, enhanced by the sense of all the ways in which life itself drifts away from us. Binoche is moving and insightful in her … Continue reading Ephron, Hunt, Kieslowski, Kieslowski, Tykwer
Coffee for Two 