Sharon Van Etten has an intimacy issue, of a sort. Her previous studio efforts (and there’s a big batch of them, including self-released material and stray demos) are filled with stark and beautiful songs. Many of them are also so … Continue reading The New Releases Shelf — Remind Me Tomorrow
Tully (Jason Reitman, 2018). Working with a script by Diablo Cody, the writer behind two of his best outings, and a compelling, vanity-free performance by Charlize Theron, director Jason Reitman creates a film that is almost jarring in its bleak … Continue reading Playing Catch-Up — Tully; Can You Ever Forgive Me; The Smart Studios Story
The instigating action of the plot is so small and unassuming that it almost seems like a cheerful memory rather than a cinematic plot point. A little bear named Paddington (voiced marvelously by Ben Whishaw) longs to purchase a vintage … Continue reading Top Ten Movies of 2018 — Number Nine
784. Aerosmith, Night in the Ruts (1979) Well before their unlikely mid-nineteen-eighties comeback, Aerosmith was band that didn’t just court disaster. It got down to one knee and gave disaster a full-hearted proposal of marriage at first sight. The Boston … Continue reading College Countdown: CMJ Top 1000, 1979 – 1989 — #784 to #781
A few days after the annual Oscar nominations announcement is still a time of bliss, when justice is possible. No matter how many personal favorites have been overlooked, there inevitably remain contenders imbued with uncommon cinematic beauty. Maybe those creative … Continue reading From the Archive — Brokeback Mountain
Maybe someday Phoebe Bridgers will appear on every record, or at least every record worth buying. In the last sixteen months, Bridgers released her solo debut, gave all the sad kids new treasures as one-third of boygenius, and now arrives … Continue reading This Week’s Model — Better Oblivion Community Center, “Dylan Thomas”
Ari Aster brings a scalding intensity to his feature directorial debut, Hereditary. Unmistakably a horror film — in its nightmarish imagery, in its tone, in its unapologetic embrace of the gruesome — Hereditary is presented with a psychological acuity that is … Continue reading Top Ten Movies of 2018 — Number Ten
The Oscar nominations arrived yesterday, and with them comes my own timed-release survey of the best the recently closed cinematic year had to offer. I begin with my customary caveat: Much as I’d like to be comprehensive and timely in … Continue reading Top Ten Movies of 2018 — An Introduction
It’s been a notably rocky year for the the most hallowed of entertainment honors, so it’s fitting that the announcement of this year’s Academy Award nominees was a mix of the woefully predictable with gleaming bursts of the daring. In … Continue reading Popularity Contest — Thoughts on the Oscar Nominations
Shirkers (Sandi Tan, 2018). This documentary traces a guerilla attempt at filmmaking by a group of teenagers and their somewhat skeevy teacher in Singapore, in the early nineteen-nineties. Essentially a cinematic memoir of embitterment and gradual self-discovery by Sandi Tan, … Continue reading Playing Catch-Up — Shirkers; I Feel Pretty; First Reformed
Coffee for Two 