Spectrum Check

This week at Spectrum Culture…I didn’t write anything. Given my recent travels, I deliberately steered cleared of picking up stuff to review, and the editor-in-chief was also merciful (there were certainly music reviews I could have had deadlines this past week). So this is one of those rare instances when I have nothing new to share. My olleagues filled the site with good stuff, so do follow the hyperlink and click around. Continue reading Spectrum Check

One for Friday: The Postmarks, “Every Day is Halloween”

We have an uncarved pumpkin on our front porch. Initially, there was a little regret about that in our household. However, a different sentiment quickly overtook it, defined by a simple, direct statement: every day is Halloween. There’s not exactly an abundance of holiday cheer in our residence, most of the special days of the calendar coming and going with, at most, cheerfully unorthodox commemorations. There is one that is held more dear than the others, and that’s Halloween. That reverence for October 31st means I’ve long gone out of my way to make sure I have a small surplus … Continue reading One for Friday: The Postmarks, “Every Day is Halloween”

Ozu, Polley, Sullivan, Tourneur, Zenovich

Richard Pryor: Omit the Logic (Marina Zenovich, 2013). Richard Pryor had a life that was singularly amazing (deeply troubled childhood, an impact on the art of stand-up comedy like no other, and a personal life fraught with peril and bad decisions), so much so that it seems almost impossible to contain it within a single film. He couldn’t do it with the thinly fictionalized Jo Jo Dancer, Your Life is Calling, and Marina Zenovich–inadvertently, no doubt–does her level best to prove that the documentary feature format similarly has no hope of containing the man’s unbalanced magnificence. She clicks through the … Continue reading Ozu, Polley, Sullivan, Tourneur, Zenovich

Lou Reed, 1942-2013

I have a special fondness for the music that flooded college radio in the first six months or so of 1989. That’s partially a byproduct of my position at the station at the time, still fresh in my overall tenure and gifted with an atypically early ascension to the director staff level, specifically with responsibilities that related to reviewing new music. (Lorne Michaels has mused that everyone’s favorite Saturday Night Live cast is whichever one was in place when they were in high school. Surely, there’s a corresponding truth to college radio: everyone thinks the music scene was peaking the … Continue reading Lou Reed, 1942-2013

Spectrum Check

Though I was otherwise up to my Adam’s apple in cleaning, painting and other coordination involving a distant house, I still had a couple contributions go up this week at Spectrum Culture. First, I had a new film review, covering a horror flick from the director of Splice. I selected this because a certain member of my household always welcomes a new cinematic excursion into horror, even though they often disappoint. That was certainly the case in this instance, although I’ll admit that it had a promising enough premise that a few changes could have made it into something interesting. … Continue reading Spectrum Check