It’s been quite the season for movie stars portraying endurance in the face of overwhelming odds while operating in isolation. While premieres and the resulting opening chatter took place earlier, across successive weekends Sandra Bullock tumbled through space and Tom … Continue reading Odds and ends, odds and ends, lost time is not found again
When I was a kid, I had a strong affection for Chicago, despite the small detail that I’d never actually been there. My fondness for the City of Big Shoulders probably had its origins in my devoted viewing of channel … Continue reading My Writers: Mike Royko
#7 — 2001: A Space Odyssey (Stanley Kubrick, 1968) Stanley Kubrick, master director and cinematic innovator with a heavy influence on countless cinematic greats who followed, won exactly one Academy Award. One. Of course, that’s more of a damnation of … Continue reading Top Fifty Films of the 60s — Number Seven
As has been widely reported, 12 Years a Slave is difficult to watch. That’s by design, of course, but it’s not simply a dutiful willingness to meet the scourge of American slavery at the only place any creator of conscience … Continue reading I wish you could know what it means to be me, then you’d see and agree that every man should be free
22. Soundgarden, Down on the Upside By 1996, it was already a decisive time for the various acts that surged to popularity on the grunge wave started by Nirvana and swelled to terrifying size by Pearl Jam. The commercial alternative … Continue reading College Countdown: 90FM’s Top 90 of 1996, 22 and 21
I had a nicely balanced week at Spectrum Culture: one film review, one album review. First I reviewed the new album from Minor Alps, a duo comprised of Juliana Hatfield and Matthew Caws, the latter best known as the leader of Nada Surf. His involvement piqued my interest, though, because of his preceding tenure with the Cost of Living. And thus my quest to cite obscure bands from my college radio days in Spectrum reviews marks another tally. On the film side, I wrote about a new documentary tracing the genesis, production and influence of George A. Romero’s The Night … Continue reading Spectrum Check
The announcement this week that the few remaining Blockbuster video stores would be closing inspired a lot of surprisingly wistful reminiscences for the chain with the garish blue and yellow color scheme that was once best known (and reviled in all the right corners) for a selective prudishness that deemed Henry & June unacceptable but Playboy exercise videos a-okay. (To be fair, I’m in absolutely no hurry to sit through the former again, so they may have had a point purely on aesthetic merits in my example.) Of course, this didn’t truly reflect a swelling of nostalgia for one particular … Continue reading One for Friday: Darren Hanlon, “Video Store”
#8 — To Kill a Mockingbird (Robert Mulligan, 1962) The film adaptation of Harper Lee’s To Kill a Mockingbird arrived about two-and-a-half years after the novel’s original publication. Both are so firmly ensconced in the American canon that it can … Continue reading Top Fifty Films of the 60s — Number Eight
I read a lot of comic books as a kid. This series of posts is about the comics I read, and, occasionally, the comics that I should have read. I was scared of Marvel magazines. That’s not quite true, but … Continue reading My Misspent Youth: Bizarre Adventures #27
These posts are about the songs that can accurately claim to crossed the key line of chart success, becoming Top 40 hits on Billboard, but just barely. Every song featured in this series peaked at number 40. Eddie Floyd started at Stax Records as a songwriter. In the mid-nineteen-sixties, Floyd partnered with guitarist Steve Cropper to write something for Otis Redding, emerging with the song “Knock on Wood.” After hearing it Jerry Wexler of Atlantic Records (then deeply connected to Stax) was convinced that Floyd didn’t need to loan the song out. He had a hit on his own if … Continue reading Top 40 Smash Taps: “I’ve Never Found a Girl”
Coffee for Two 