Top 40 Smash Taps: “Lessons Learned”

These posts are about the songs that can accurately claim to crossed the key line of chart success, becoming Top 40 hits on Billboard, but just barely. Every song featured in this series peaked at number 40. In some respects, it’s not all that surprising that country singer Tracy Lawrence’s sole experience with the Billboard Top 40 came with a single he released at the tail end of 1999. The title cut to the then forthcoming album Lessons Learned, his sixth studio release, came out at the peak of pop radio’s embrace of country-western music, fueled by major hits from … Continue reading Top 40 Smash Taps: “Lessons Learned”

Spectrum Check

It was another modest week for me at Spectrum Culture. I only had one full piece go up there, a review of the new album from the Gaslight Anthem. When I was younger, I found it odd that there weren’t more bands emulating Bruce Springsteen, given his significant success. Now that there are a couple who clearly use his music as a touchstone, I actually find it just as strange. His distinctive sound, fueled by rock ‘n’ roll bombast, seems to be harder for bands to transcend than, say, that of the Velvet Underground, which dozens upons dozens of groups … Continue reading Spectrum Check

One for Friday: Easterhouse, “Come Out Fighting”

It’s now been over three-and-a-half years of quite regular weekly posting since I launched this particular Friday feature, a span that has, by my rough tally, led to just over 180 songs being shared in this space thus far (including the week that I proudly ceded to others). It would seem, given that number and my propensity for featuring tracks from my first year of college, that I would have exhausted every out of print college radio hit bearing a copyright date of 1988 or 1989. Indeed, there are times when a song shuffles up on my trusty iPod and … Continue reading One for Friday: Easterhouse, “Come Out Fighting”

Aja, Cameron, Hanks, Ophüls, Saladoff

Piranha (Alexandre Aja, 2010). It’s remarkable that a film that so overtly embraces its own willful trashiness can still be dour, flatfooted and boring as hell. Richard Dreyfuss’s early cameo as a scruffy boater who’s a victim of carnivorous fish is only the first overt reference to Steven Spielberg’s superlative Jaws. The entire plot about the vicious water-dwellers is essentially lifted from the earlier feature, with the family vacation crowds in a terrorized tourist tour replaced by ribald Spring Breakers, all the better to fill the screen with R-rated nudity. It’s gory, ridiculous and almost deliberately inept. It’s also no … Continue reading Aja, Cameron, Hanks, Ophüls, Saladoff

Top 40 Smash Taps: “Live My Life”

These posts are about the songs that can accurately claim to crossed the key line of chart success, becoming Top 40 hits on Billboard, but just barely. Every song featured in this series peaked at number 40. There were few bands that benefited more clearly and distinctly from the launch of MTV than Culture Club. The music video channel launched in the summer of 1981, and Culture Club’s debut album, Kissing to Be Clever, arrived just over a year later. Boasting a sunny, catchy sound that often melded to more melancholy lyrics, the band benefited from their charismatic, attention-getting lead … Continue reading Top 40 Smash Taps: “Live My Life”

College Countdown: CMJ Top 50 Albums of 2001, 12 and 11

12. Low, Things We Lost in the Fire The first time I realized I may be falling out of step with the prevailing taste of college radio kids came fairly early in my post-collegiate years, when a breathless rave in the pages of CMJ New Music Monthly inspired me to go out and purchase The Biz, the third album by the Chicago band the Sea and the Cake. The jazz-inflected collection of languidly thoughtful songs was deemed smart, intricate and artistically challenging. It found it incredibly boring, maybe because I had inclinations towards neither bongs nor headphones. So it was … Continue reading College Countdown: CMJ Top 50 Albums of 2001, 12 and 11