College Countdown: 90FM’s Top 90 of 1989, 3

3. Violent Femmes, 3 While I’ll admit to loving that an album titled 3 landed in the third spot of the Top 90 chart, I swear that the tally wasn’t doctored to make that happen. Sure, I might find the temptation to finesse a ranking to accommodate such symmetry entirely irresistible at times, but accurate reporting prevailed in the matter of assembling this list. The scientific method employed in determining the Top 90 may have had some gaps in it, but I followed it assiduously. 3 is at #3 because #3 is where 3 belongs. 3 was the fourth album … Continue reading College Countdown: 90FM’s Top 90 of 1989, 3

Spectrum Check

My posted work came entirely from the movie beat this week. I started with a French film that was a little wisp of of a thing. It may have sometimes felt like a foreign film softened into an American sitcom but it also featured Gérard Depardieu, who remains a marvelous actor, at least in his mother tongue, despite his recent unseemly exploits that made him the fodder for silly jokes. I also reviews a documentary about the Black Power Movement of the late-sixties and early-seventies. It had some basic structural flaws, but much of the footage was amazing. Angela Davis, … Continue reading Spectrum Check

Top Fifty Films of the 80s — Number Fifteen

#15 — Melvin and Howard (Jonathan Demme, 1980) Part of the appeal of subscribing to auteur theory is the sense of extra connectedness to the directors with the strongest cinematic presence. It’s easy to feel like watching a film is akin to getting concerted insight into worldviews, spiritual philosophies and political preferences. The collected work becomes a backward version of a Rorschach test, with very specific material being transformed by the viewer into something nebulous enough to project suppositions onto. While I realize the inherent fallibility of such a view, I also can’t help but fall for it when it … Continue reading Top Fifty Films of the 80s — Number Fifteen

Spectrum Check

Ah, here’s Spectrum Check, back at it’s regularly scheduled time. So the first piece I had go up this week happened as a direct result of the intervention of my friend, a fabulous babe who a generation of Madison music fans know as Casino Queen. Somewhere around the midpoint of my ongoing countdown of the best films of the nineteen-eighties, she emailed me with the gentle but firm assertion that our friendship might be in jeopardy if the 1981 cinematic extravaganza The Great Muppet Caper wasn’t included somewhere on the list. I sheepishly informed her that it indeed would not … Continue reading Spectrum Check