Carpenter, Cronenberg, Ford, Truffaut, Wright

Hanna (Joe Wright, 2011). Well, I’ll say this for director Joe Wright: He’s not going to be pinned down. He made his feature debut with a Jane Austen adaptation and followed that with a prestige picture based on a Ian McEwan novel. Then came a fairly drab issues picture largely about the homeless community in Los Angeles. The bank shot away from that reunites him with Atonement Oscar nominee Saoirse Ronan for a bizarre action film about a teenage girl who was raised in isolation to be an unstoppable assassin. The film is balanced awkwardly between stylish action and moody … Continue reading Carpenter, Cronenberg, Ford, Truffaut, Wright

College Countdown: 90FM’s Top 90 of 1989, 16

16. Robyn Hitchcock ‘n’ the Egyptians, Queen Elvis While I already had immense respect and appreciation for him, I wouldn’t have named Robyn Hitchcock as my favorite performer when Queen Elvis was released. When this record hit the station in early 1989, it was simply another strong outing from a college radio stalwart in an unusually bountiful winter and spring. By this time, Hitchcock’s talents were already well-established, first as the main creative force behind the cult hero punk outfit the Soft Boys and then with a fairly prolific solo career throughout the eighties. He made his major label debut … Continue reading College Countdown: 90FM’s Top 90 of 1989, 16

Spectrum Check

I didn’t have much up on the Spectrum Culture site this week, which seemed weirdly appropriated since I was preoccupied for most of the days. There was no corollary between the two–most things that would have posted this week would have been written before my chores pulled me away from the laptop–but it was sort of nice for the cyber-version of me to be fairly absent in all respects simultaneously. The one full-length effort of mine was a reviews of the new album from White Denim. The pull quote they used what the review was up on the main page … Continue reading Spectrum Check

One for Friday: Hole, “Gold Dust Woman”

I worked in commercial radio for about two-and-a-half years. In that span, I had to play a lot of music I didn’t like. And I mean a lot. This was in the mid-nineteen-nineties, after Nirvana hit it big and Pearl jam hit it bigger, leading labels to clamor for any band that played thudding hard rock, especially if it sounded a little like it was being fed through damaged amps. The glut of “new rock alternative” stations that sprung upon around this time, including the one I worked at, played these bands like dutiful soldiers, even though many of them … Continue reading One for Friday: Hole, “Gold Dust Woman”

Clarence Clemons, 1942 – 2011

…And last but not least…do I have to say his name? Do I have to speak his name? Do I have to say his name? In this corner: the king of the world, the master of the universe. Weighing in at 260 pounds, the Big Man, Clarence Clemons. That’s how Bruce Springsteen touted the venerable saxophone player during the band introductions that arrived at the midway point of the typically robust performance of “Rosalita (Come Out Tonight)” captured on the majestic Live: 1975-1985 box set. I listened to Springsteen’s music at near-obsessive levels during my high school years, paying special … Continue reading Clarence Clemons, 1942 – 2011

Spectrum Check

This week, I contributed to our List Inconsequential feature on badass album covers by writing about the Sonic Youth album that includes their fierce collaboration with Chuck D and, even better, helped make possible their eventual, inadvertent and unbelievably cool collaboration with Christina Aguilera. I also wrote about the latest album from the Felice Brothers, one of way too many bands with the word “Brothers” in their name that emerged at roughly the same time. The new record was pretty good, though, even if it made me think anew about (and do fresh research on) the Creepiest Place on EarthTM. … Continue reading Spectrum Check