Spectrum Check

So, Spectrum Culture this week… I truly believe in reviewing films almost entirely on their own merits. It’s hard to confront a film by a major director without putting it into a career-long context (and there’s obviously some merit to that approach), but a significant number of viewers won’t be doing that. They meet a film for what it is and any comparisons to other creative efforts will be superficial at best. Still, it was so very tempting for me to expend a whole lot of words in my review of Nikolaus Geyhalter’s documentary Abendland to the three-hour, staidly observational … Continue reading Spectrum Check

Jason, Milestone, Minnelli, Scorsese, Shelton

Humpday (Lynn Shelton, 2009). While I don’t always give the background on my viewing choices, I will note that this finally made its way from out queue to our screen in preparation for watching Lynn Shelton’s excellent follow-up. I’m mostly sharing that to give myself a public chastisement. Humpday is pretty terrific, providing a surprisingly plausible narrative progression to an utterly implausible scenario. Mark Duplass and Joshua Leonard play old college buddies whose reunion after several years apart winds up involving an odd pledge to make a man-on-man pornographic film together, in direct opposition to their heterosexual tendencies, for Seattle’s … Continue reading Jason, Milestone, Minnelli, Scorsese, Shelton

Spectrum Check

I had a busy week at Spectrum Culture, and one that was significantly more time-consuming than I initially anticipated. As I’ve noted before, we writers largely select exactly which films, CDs and books we want to review. When I picked out the new documentary from Goncalo Tocha, I swear I read that it was ninety minutes long. Then the screener showed up, spread across two DVDs. So on a weekend that I was already somewhat pressed for time, I suddenly had a three-hour film to watch (after I’d already committed to watching a very different one in the theater that … Continue reading Spectrum Check

Spectrum Check

I didn’t have that many writing assignments for Spectrum Culture this week, so of course I needed to make certain my one piece was exceedingly long, maybe the longest I’ve ever written for the site. To be fair, the “Re-make/Re-model” series invites length given that at least two films need to be broken down. In writing about Jonathan Demme’s remake of a Stanley Donen classic, I also had the opportunity to reference an old Onion article for which I have a special fondness. I also offered up a far briefer contribution to this week’s List Inconsequential list about great live … Continue reading Spectrum Check