Spectrum Check

This week, I made my usual contribution to the movie review section, offering up an assessment of Putty Hill, a film that has, in my opinion, some clear forefathers. It’s the sort of lo-fi cinema wonder that gets extra credit when it’s discovered at a film festival, where its unassuming nature always feels a little fresher. It’s very good, but has some of the hard-to-dodge flaws built into its understated methodology. Then there were a couple pile-on pieces that included my humble contribution. The first was the latest List Inconsequential, which focused on books that elicited tears. I’m not sure … Continue reading Spectrum Check

Twenty Performances, or If I Had a Ballot

My standing tradition is to post this little exercise is Oscar wishcasting on the day of the actual ceremony. I don’t want to preempt the recurring feature that resides on that day (especially since one of the two albums featured this week is a big personal favorite), so we’ll jump the gun a bit. It’s not like there’s some hallowed sanctity to the timing of this, after all. Having made my opinion on the best films of the cinematic year 2010 abundantly clear over the course of the past few weeks, I want to turn my attention to the other … Continue reading Twenty Performances, or If I Had a Ballot

Spectrum Check

I’ve had a little more modest output over at Spectrum Culture the past couple of weeks. I reviewed a Russian film called How I Ended This Summer about a burgeoning conflict between a couple of technicians at a remote weather station. Unfortunately, the frigid terrain they moved through looked a little too much like what was outside of our Carolina windows at the time. Luckily, that’s changed. Then this past week, I tapped into that distant part of me that stared down the copy of Dry that we received at the campus radio station nearly twenty years ago and tried … Continue reading Spectrum Check