Five Songs from 2016

There is a way we do these around these here digital parts. My list of the top ten albums of the year is followed by the sharing of a quintet of songs, probably not featured on one of those albums, that I think are also among the significant highlights of the music   year just past. I’m not claiming these are the five best singles or songs of the year. Instead, it’s simply a batch of tracks that, at one point or another, grabbed me and wouldn’t let go. Lucy Dacus, “I Don’t Wanna Be Funny Anymore” Dacus saunters through … Continue reading Five Songs from 2016

College Countdown: CMJ Top 250 Songs, 1979 – 1989, 100 – 98

100. New Order, “The Perfect Kiss” It’s difficult to pin down precisely which version of the New Order song “The Perfect Kiss” sits at the momentous #100 position on this chart. On the 1985 album Low-Life, the song finishes its work in just under five minutes. There are a flurry of other edits of the track across different seven-inch singles, sometimes shaving as much as an additional minute off the song. Arguably the best known, though, is the iteration released as a twelve-inch single, that clocks in at a robust 8:46. And it’s a few second longer yet in the official … Continue reading College Countdown: CMJ Top 250 Songs, 1979 – 1989, 100 – 98

One for Friday: Allo, Darlin’, “Will You Please Spend New Years with Me?”

I’m hardly the first or most eloquent person to observe that 2016 has been one kick in the teeth after another. It’s as if the historic event of the Chicago Cubs winning the World Series for the first time in over a century used up every drop of good karma the year had amassed leaving existential carnage everywhere else. As we close the calendar on these dismal twelve months (and head into a 2017 that, let’s be real, will get worse before it gets better), I’m craving something charming and a little on the gentle side. Hiding in a bedroom … Continue reading One for Friday: Allo, Darlin’, “Will You Please Spend New Years with Me?”

Top Ten Albums of 2016

As per tradition in this digital space, the close of the calendar year means it’s time to reflect on the best music releases of the year. It’s been a while since I’ve been beholden by writing duties to an outside source, which was the initiating cause of my modern top ten albums lists, but I still do the best I can to keep up. I’ll acknowledge that it was more challenging than ever in 2016 to be comprehensive in my listening, and more than a few of the titles that make this tally have only making glancing appearances in my personal rotation. … Continue reading Top Ten Albums of 2016

CMJ Top 250 Songs, 1979 – 1989, 103 – 101

103. The Mighty Lemon Drops, “Inside Out” Other bands that started plying their tunes in the nineteen-eighties had the advantage of fertile local scenes. That wasn’t the case for the Mighty Lemon Drops, who hailed from Wolverhampton. “When we started out in early 1985, there wasn’t much going on locally,” said guitarist Dave Newton. “Not even in nearby Birmingham, with a few exceptions, such as the Nightingales and Pigros. As for Wolverhampton, there was absolutely nothing of note.” But a band as good as the Mighty Lemon Drops is going to draw attention, no matter the geographical limits. They wound … Continue reading CMJ Top 250 Songs, 1979 – 1989, 103 – 101

One for Friday: Sleater-Kinney, “Merry Christmas (I Don’t Want to Fight Tonight)”

I believe tradition holds that I feature a Christmas song in this space today. Usually, this would be presented as downloadable MP3 file, culled from my collection. Truth is, though, I don’t possess any holiday songs that are as cool as the one delivered in this video. Happy holidays, all! Continue reading One for Friday: Sleater-Kinney, “Merry Christmas (I Don’t Want to Fight Tonight)”

CMJ Top 250 Songs, 1979 – 1989, 106 – 104

106. New Order, “Bizarre Love Triangle” When New Order got down the business of creating their fourth full-length album, Brotherhood, they wanted it to have a sonic schism. That approach naturally had an impact on the songwriting and recording process for every track, including the album’s sole official single. “‘Bizarre Love Triangle’ is a brilliant track, but it was kind of done in a schizophrenic mood that we were trying to do one side synthesizers and one side guitars,” drummer Stephen Morris later explained. “I don’t know. It didn’t quite work.” Built around one of the band’s very best hooks, … Continue reading CMJ Top 250 Songs, 1979 – 1989, 106 – 104

One for Friday: The Beloved, “Hello”

Occasionally during my tenure at the college radio station, a song arrived that was so very, very, very, terribly British. Given that our station was largely populated by staff members who defaulted more to the angry blasts of Hüsker Dü than the artful, lolling heartache of the Smiths, a decidedly U.K. feel to a song was no guarantee of such on our charts. I was one of those who craves loud guitars more than intricate synths, but there were times when a song proved irresistible. “Hello,” the breakthrough 1990 single by the Beloved was one of those. Even if the … Continue reading One for Friday: The Beloved, “Hello”

College Countdown: CMJ Top 250 Songs, 1979 – 1989, 109 – 107

109. Heaven 17, “Let Me Go” While many bands are dogged by comparisons to other acts while they try to make their way in the wild of the music business, Heaven 17 endured an especially sharp version of that burden. Martyn Ware and Ian Craig Marsh, two thirds of Heaven 17’s most enduring lineup, were both founding members of the Human League. They left that band and ceded the name to lead singer Philip Oakey after the creative relationship became unendurably fractious. “Sometimes it’s hard to give us something that appears to be your entire life, but we all knew … Continue reading College Countdown: CMJ Top 250 Songs, 1979 – 1989, 109 – 107

One for Friday: The Cigarettes, “Paul Westerberg”

More so than other music fandoms, I believe, having a heavy emotional investment in the college rock of the nineteen-eighties puts a person in a specialized, deeply insular club. At a time when there was a dearth of material that spoke to our instincts for countering the culture, and that material was exceedingly hard to come by, slipping the right record over the turntable spindle was a way to confirm that we weren’t alone. Someone else felt this way, someone else saw the world in similar shades of gloom. All of the above goes double for fans of the Replacements. … Continue reading One for Friday: The Cigarettes, “Paul Westerberg”