166. The Nails, “Things You Left Behind” As any rock band must, the Nails talked about the artistic growth they were going through when they released their second full-length album, Dangerous Dreams, in 1986. They’d had a mini-sensation two years earlier, with the single “88 Lines About 44 Women,” but the very nature of the track stirred a mist of novelty up around the group’s music. While hanging tight to the gentle beat poetry vibe that made their name (lead singer and chief songwriter Marc Campbell was quick to namecheck the likes of Allen Ginsberg and Anne Waldman when asked … Continue reading College Countdown: CMJ Top 250 Songs, 1979 – 1989, 166 – 164

169. M+M, “Black Stations/White Stations” By 1984, Martha and the Muffins were a very different band than the one that had a international hit single five years earlier, with “Echo Beach.” The lack of similar chart success with subsequent releases caused the group to get dropped by Virgin Records, and they’d shed several band members over the years, including saxophonist Tony Haas, who chose to conduct his exit interview through a series of missives printed in the letters column of Now, the Toronto alternative weekly newspaper. The tumult was so thorough that remaining members Mark Gane and Martha Johnson took the … Continue reading College Countdown: CMJ Top 250 Songs, 1979 – 1989, 169 – 167

172. The Police, “Message in a Bottle” By Sting’s reckoning, “Message in a Bottle” was a breakthrough for him as a songwriter. He estimated that he’d been noodling with the guitar riff, mentally and otherwise, for about a year before he started to pull it together with some stray ideas for lyrics. That approach of working on music and lyrics as entirely disconnected properties that eventually converged was very much his preferred process at the time. Placing words against the music began with the title. “Message in a Bottle” was written down in his notebook, causing Sting to free associate on the term, … Continue reading College Countdown: CMJ Top 250 Songs, 1979 – 1989, 172 – 170

175. Mojo Nixon & Skid Roper, “Elvis Is Everywhere” Neill Kirby McMillian, Jr. was born in Chapel Hill, North Carolina, in 1957. Years later, he found his true self as Mojo Nixon. Though the exact moment of identity epiphany is elusive, it was undoubtedly somewhere around the point he teamed up with multi-instrumentalist Skid Roper (née Richard Banke). The two started playing gigs together in San Diego, California, in the early nineteen-eighties, in a place that undoubtedly felt a million miles away from their freewheeling, psychobilly musical sensibility. Though Nixon quickly became a cult hero, thanks to songs that indulged in a raucous, … Continue reading College Countdown: CMJ Top 250 Songs, 1979 – 1989, 175 – 173

178. The Style Council, “My Ever Changing Moods” After serving as a central figure in the transformation of punk rock into new wave, thanks to his position as chief songwriter of the Jam, Paul Weller was looking for something a little different the early nineteen-eighties. Following the dissolution of the band that made him famous (at least in the U.K.), Weller joined with keyboardist Mick Talbot to form the Style Council. Weller took the name of the new group to heart, expounding on the richness of all aspects of European culture, saying of the erudite continent, “There’s some great things coming … Continue reading College Countdown: CMJ Top 250 Songs, 1979 – 1989, 178 – 176