One for Friday: The Feelies, “Away”

Today is apparently College Radio Day. I could write at near-endless length about my time as a student broadcaster and still note properly convey exactly how much I got out of it. I value everything about my collegiate experience, but the college radio station was special, in practically every way. It was a sanctuary, an enlivening mental obstacle course, a place of spiritual renewal. It was a place of constant discovery, for music obviously, but for so many other things, especially the reserves of belief, insight, and capability I had within myself that I’m convinced never would have been tapped … Continue reading One for Friday: The Feelies, “Away”

The New Releases Shelf: Every Open Eye

(photo credit) Any question about whether Chvrches will be able to adequately follow up the arresting pop from their debut album, The Bones of What You Believe, is eradicated within the first seconds of the Swedish band’s sophomore release. Every Open Eye doesn’t roar to life or even explode into being. Instead, album opener “Never Ending Circles” simply is from the very beginning, as if a needle had been dropped square in the middle of a eternal pop epic. The track builds its extended chorus on a fantastic hook, but it feels deliriously as if it’s all hook, indeed hooks overlapping other hooks … Continue reading The New Releases Shelf: Every Open Eye

Top 40 Smash Taps: “Your Time to Cry”

These posts are about the songs that can accurately claim to crossed the key line of chart success, becoming Top 40 hits on Billboard, but just barely. Every song featured in this series peaked at number 40. Joe Simon was a major player on the R&B charts during the late nineteen-sixties and early nineteen-seventies, including a million-seller that nabbed him a Grammy Award. As was too often the case, that success didn’t completely translate to the pop charts, where Simon had a respectable number of Top 40 hits (eight in total), but was largely unable to push his material to … Continue reading Top 40 Smash Taps: “Your Time to Cry”

College Countdown: 90FM’s Top 90 of 1995, 7

7. Matthew Sweet, 100% Fun Matthew Sweet was probably alternative rock’s official King of Power Pop in 1995, not that there were many combatants for that particular throne. Sweet bounded from obscurity to the upper reaches of the college charts a few years earlier, upon the release of his brilliant 1991 album, Girlfriend. With a big guitar sound and deliriously catchy hooks, Sweet scratched an itch most college programmers (myself included) didn’t even know they had, sending legs thumping as joyously as that of a dog whose human pal has found just the right spot behind the ear. This underserved subsection of the … Continue reading College Countdown: 90FM’s Top 90 of 1995, 7

College Countdown: 90FM’s Top 90 of 1995, 8

8. Garbage, Garbage I’m pleased that I sit in Madison, Wisconsin as I write this post. Seattle was the epicenter of the explosion of grunge rock that shifted, defined, and to a large degree eventually decimated college rock in the early-to-mid-nineteen-nineties, but the state capital of Wisconsin is connected to a murky asterisk in any geographic history of that shifting music scene. Madisonian Butch Vig had been in a few small, locally notable bands, Spooner and Fire Town among them. More importantly, as it turned out, Vig partnered with Steve Marker to open Smart Studios, a recording facility housed in … Continue reading College Countdown: 90FM’s Top 90 of 1995, 8

One for Friday: Don Dixon, “Girls L.T.D.”

It sure seems like the most appropriate follow-up to last week’s One for Friday involves a song from Mr. Marti Jones. Most of the Girls Like to Dance But Only Some of the Boys Like To, Don Dixon’s solo debut, was first released in the United States in late 1986, only after it had proven successful as an import in Europe, where it had received distribution the year before. Making the journey seem even more arduous, most of the material on the album was first peddled to labels well before. As Dixon acknowledged at the time, practically every song on … Continue reading One for Friday: Don Dixon, “Girls L.T.D.”

Top 40 Smash Taps: “I’m Goin’ In”

These posts are about the songs that can accurately claim to crossed the key line of chart success, becoming Top 40 hits on Billboard, but just barely. Every song featured in this series peaked at number 40. Jimmy Brooks was a student at Degrassi Community School, whose struggles with school, particularly English class, originally compromised his hopes to become a player on the basketball team. That eventually changed, and Jimmy become one of the star players on the team. He also came from a background of family wealth, which could cause strain with some of his friends, especially when Jimmy didn’t … Continue reading Top 40 Smash Taps: “I’m Goin’ In”

One for Friday: Angst, “I Could Never Change Your Mind”

By 1988, Angst was a band with a honorable history. Formed in San Francisco, in 1980, Angst put out multiple albums on seminal punk label SST Records, including a couple that were produced by the label’s co-owner, Joe Carducci, making it reasonable to consider the group one of the signature acts of the pile-driving music house. When I got to my college radio station, I didn’t know any of that. All I knew is there was an album called Cry For Happy in rotation that had a striking drawing of roses on the front cover. I’m pretty sure I even pronounced … Continue reading One for Friday: Angst, “I Could Never Change Your Mind”

One for Friday: Marti Jones, “You Can’t Take Love for Granted”

Marti Jones was one half of what passed for a power couple in the land of college rock, circa 1988. Jones was part of the band Color Me Gone in the mid-nineteen-eighties. They released a bit of music on A&M Records. It didn’t take, but the label clearly liked Jones, signing her to a solo contract that led to the release of the LP Unsophisticated Time, in 1985. The man behind the boards for that record was Don Dixon, then a hot, up-and-coming producer thanks to his efforts, with Mitch Easter, on the first two R.E.M. albums. He wasn’t making … Continue reading One for Friday: Marti Jones, “You Can’t Take Love for Granted”

College Countdown: 90FM’s Top 90 of 1995, 9

9. PJ Harvey, To Bring You My Love Technically, To Bring You My Love is a debut album. Specifically, it’s a solo debut. While it’s the third studio album to bear the name PJ Harvey (and fourth overall, if the self-explanatory 1993 release 4-Track Demos is included in the tally), both Dry and Rid of Me were officially the work of a trio that shared a name with their lead singer and driving creative force. While touring to support Rid of Me, the band began to splinter, and Harvey decided to dissolve the group and effectively reclaim her name as … Continue reading College Countdown: 90FM’s Top 90 of 1995, 9