Spectrum Check

Considering it was a short week, I had a lot of material up at Spectrum Culture. The most challenging piece to write was my “Revisit” on Lawrence Kasdan’s The Big Chill, part of my ongoing attempt to exhaust all of my pop culture touchstones for the site. I suspect the result reads as a little more unkind towards the film than my actual, official stance on it, but I went where the writing took me. The other film I wrote on was a new documentary on Bettie Page. I picked it up because of the promise that the famously private … Continue reading Spectrum Check

One for Friday: Dream Warriors, “Wash Your Face in My Sink”

For all the fondness and pride I have when I look back at my college radio years, I’m also amused by all the instances when my alma mater station proved to be far from prescient. Given the span of years when I happily toiled as an undergrad in the poster-laden studios, I’d love to be able to report that we were truly among the first to play the bands that would eventually become a sacred part of the indie firmament. But I don’t actually remember us giving a whole lot of airtime to, say, Bleach before Nevermind. For a college … Continue reading One for Friday: Dream Warriors, “Wash Your Face in My Sink”

Spectrum Check

When trying to find films and records to write on each and every week, there are time when the material is going to be extremely unmemorable, neither good enough to stir genuine excitement nor bad enough to engender the flush of resentment for the time given away to it. That’s basically where I landed this week with Spectrum Culture. For instance, the film I reviewed had some promising elements, especially when it came to the performances. It was nice to see skilled performers who don’t usually land particularly worthwhile roles getting the chance to dig into some meaty material and … Continue reading Spectrum Check

One for Friday: Luka Bloom, “An Irishman in Chinatown”

This weekend I’ll sit down to write about one of my truly formative films, a cinematic effort that helped define my notions of adulthood and especially friendship that endures past the easy cohesion of school years and across the years. All I’ll elude to in the piece, when I first saw the film I was young enough that the portrait of a bond freighted with history was as foreign to me as, say, an archeology professor engaged in feats of borderline implausible derring-do. And yet it struck a chord with me, as if I knew I’d have touchstones that roughly … Continue reading One for Friday: Luka Bloom, “An Irishman in Chinatown”

Top 40 Smash Taps: “Plastic Man” and “Happy People”

These posts are about the songs that can accurately claim to crossed the key line of chart success, becoming Top 40 hits on Billboard, but just barely. Every song featured in this series peaked at number 40. By my rough count, the Temptations made thirty-seven visits to the Billboard Top 40, not counting an early nineteen-nineties collaboration with Rod Stewart at the precise moment he gave up all pretenses of being anything other than treacly hack. Of those, four actually made it all the way to #1, beginning with the sweetest of romantic tributes and ending with with a funk … Continue reading Top 40 Smash Taps: “Plastic Man” and “Happy People”

One for Friday: Mark Eitzel, “Some Bartenders Have the Gift of a Pardon”

Now that it is completely, definitively, decisively established that the surest route to mainstream chart success these days is repetitive, dance-tinged songs about feeling empowered while dancing all night long in the club, I can’t help but wonder if there are any tracks on those slicked-up albums that take a look at the melancholy downside. It’s not that I think there’s some responsibility of pop culture to provide that balance. Instead, I’m just struck by the way that the college radio playlists of my younger days often seemed to have songs that portrayed drinking cultures in all their permutations, from … Continue reading One for Friday: Mark Eitzel, “Some Bartenders Have the Gift of a Pardon”

Spectrum Check

I had a nicely balanced week at Spectrum Culture: one film review, one album review. First I reviewed the new album from Minor Alps, a duo comprised of Juliana Hatfield and Matthew Caws, the latter best known as the leader of Nada Surf. His involvement piqued my interest, though, because of his preceding tenure with the Cost of Living. And thus my quest to cite obscure bands from my college radio days in Spectrum reviews marks another tally. On the film side, I wrote about a new documentary tracing the genesis, production and influence of George A. Romero’s The Night … Continue reading Spectrum Check