One for Friday: The National, “Start a War (Live at KEXP)”

I have my list. It’s not written down or recorded in any way. It floats freely in my head, taking on an losing names with the shifting tides of my memory and preferences. I presume most music fans have their own similar tallies. It’s those bands, performers, artists that I haven’t yet seen play live despite my strong desire to do so. There are loads of missed opportunities on the list (Sleater-Kinney, the White Stripes, and it seems Sonic Youth) and a handful that I’m actively plotting about (Arcade Fire). Last night, I didn’t necessarily cross a band fully of … Continue reading One for Friday: The National, “Start a War (Live at KEXP)”

Clear blue holds its breath

For some indiscernible reason, today’s date is weighing on me a little more heavily than in past years. I think the pervasive attempts to use the ever-distancing tragedy of that 2001 day to prop up political agendas and inspire cheap shots against the other side have simply done me in this year. It’s worth noting that the disheartening spectacle is coming from all parts of the political spectrum, even from those I consider fairly closely aligned with my own views on the issues of the day. With that in mind, I’ll just yield the space to a track from what … Continue reading Clear blue holds its breath

Spectrum Check

Not that anyone’s likely to notice without me pointing it out, but I’m going to slightly jumble my usual order in listing off my latest contributions to Spectrum Culture in this weekly slot. For example, I usually position whatever list we’re track through as the last bit, almost as an aside. Instead, I’ll put our latest offering in the ongoing effort to count down the greatest greatest hits albums of all time right up front, if only to immediately note to a good friend of mine that I have now managed to make sure that anyone who chooses to search … Continue reading Spectrum Check

One for Friday: Lush, “Take”

I never got all that hung up on record labels during my college radio days. That may have been in part because our station was just small enough that some of the humbler labels–of the sort more likely to inspire enduring affection–chose to keep us off their servicing list, not having the financial wherewithal to cover everyone. It may have simply been because my tastes at the time still had enough mainstream swirled into them, lessening how often I dug deep into the sort of incredibly obscure stuff that might stir my interest in a band’s labelmates in the hope … Continue reading One for Friday: Lush, “Take”

Top 40 Smash Taps: “Funky Y-2-C”

These posts are about the songs that can accurately claim to crossed the key line of chart success, becoming Top 40 hits on Billboard, but just barely. Every song featured in this series peaked at number 40. Good lord. I suppose this seemed like a good idea to someone in the years immediately following the unlikely success of kiddie rap duo Kriss Kross. The Puppies represented another pairing of youngsters shouting out weirdly provocative nonsense over an insistent hip hop beat. In this instance, it was a brother and sister, Calvin “Big Boy” Mills and Tamara “Dee” Mills. Their self-titled … Continue reading Top 40 Smash Taps: “Funky Y-2-C”

Spectrum Check

This was one of those wholly manageable weeks for me at Spectrum Culture: one album review, one film review. The album review was the tricker of the two, largely because it was another instance of a record that didn’t inspire strong feelings one way or the other. And “It’s pretty good” simply isn’t enough. In my malaise, I completely missed my opportunity to invoke a long dreamed of touring contingent. Since I spent the first part of the review musing on how many different groups shared some variation of the band’s name, I should have suggested that all of the … Continue reading Spectrum Check

One for Friday: James Brown, “Gonna Have a Funky Good Time”

When We Were Kings, Leon Gast’s definitive documentary on the fabled “Rumble in the Jungle” fight between Muhammad Ali and George Foreman, started life as a concert film. As part of the associated festivities in Zaire, several funk and soul artists were there to stage a live show, which undoubtedly seemed like perfect fodder for a hit movie release back when Michael Wadleigh’s film of the Woodstock Music & Art Fair was still making the rounds to young, adoring and probably pretty stoned audiences. While there, Gast quickly figured out that the real story was happening over in the training … Continue reading One for Friday: James Brown, “Gonna Have a Funky Good Time”