Spectrum Check

It was a fairly standard week for me at Spectrum Culture: one film review and one album reviews. On the movie side, I covered an entry in that most woeful of categories: the genially dark indie film comedy. I’m not sure why these sorts of films are so hard to pull off, but the art houses are littered with dismal examples of underdeveloped comedies every year. And, as is the case with the one I reviewed this week, a remarkable amount of the time, the films in question are blessed with incredible casts. On the music side, I drew the … Continue reading Spectrum Check

One for Friday: In Tua Nua, “All I Wanted”

It’s clear that individuals can dictate how an entire radio station–especially one as loosely structured programmatically as a college radio station–sounds. Commonly, this comes from those in leadership positions, particular whoever has the task of sorting through the various music that shows up in the mailbox and making sure it gets into the studio, probably with some sort of note on guidance affixed to it for deejays who may never have heard of the artists in question. Sometimes, though, it manifests as a broader tribute. At the station of my undergraduate years, there was a long-lasting, I believe wholly unintentional … Continue reading One for Friday: In Tua Nua, “All I Wanted”

Top 40 Smash Taps: “Mr. Loverman”

These posts are about the songs that can accurately claim to crossed the key line of chart success, becoming Top 40 hits on Billboard, but just barely. Every song featured in this series peaked at number 40. Rexton Rawlston Fernando Gordon was born in Jamaica, in 1966. By the time he arrived on American soils as a music industry figure in the mid nineteen-eighties, rubbing shoulders with the diverse likes of Chuck Berry and KRS-One, he had rechristened himself Shabba Ranks. He employed the Jamaican deejay practice of toasting (which was basically rapping), which made him sound especially unique to … Continue reading Top 40 Smash Taps: “Mr. Loverman”

Spectrum Culture

Now that I look at it, this week at Spectrum Culture was entirely about music for me. Even the film review I contributed was bursting with it, appropriate considering it was about the legendary Muscle Shoals recording studios that have factored into countless classic rock songs. It’s a good thing the director was able to drop in plenty of the songs (which must have cost plenty), because the film doesn’t have much else to recommend it. On the music review side, I covered one disappointment and one winner, and they didn’t fall into those categories in quite the way I … Continue reading Spectrum Culture

One for Friday: Papas Fritas, “Smash This World”

I wanted to hear the Papas Fritas song “Smash This World” for a long, long time before I actual got the chance to do so. Well, maybe the double use of “long” is stretching it, but any span that stretches past weeks in our instant-gratification-takes-too-long world seems an eternity. I had “Smash This World” on an unofficial list of songs I needed to seek out when I make my yearly trek up to Stevens Point to pitch in at my alma mater radio station on Christmas Day, excursions I made in the late nineteen-nineties. The was culled from the reviews … Continue reading One for Friday: Papas Fritas, “Smash This World”

Top 40 Smash Taps: “I Can’t Help Myself (Sugar Pie Honey Bunch)”

These posts are about the songs that can accurately claim to crossed the key line of chart success, becoming Top 40 hits on Billboard, but just barely. Every song featured in this series peaked at number 40. The Pointer Sisters had enjoyed five Top 40 singles by the time Bonnie, the second youngest of the group, left to pursue a solo career, in 1977. As these things often go, the remaining siblings wound up scoring their biggest hit to date the following year, with a version of Bruce Springsteen’s “Fire”, which became their first Top 10 hit, peaking at #2 … Continue reading Top 40 Smash Taps: “I Can’t Help Myself (Sugar Pie Honey Bunch)”

College Countdown: 90FM’s Top 90 of 1996, 34 and 33

34. Paul Westerberg, Eventually Officially, Eventually was the sophomore solo effort from former (and, improbably, future) Replacements frontman Paul Westerberg. (I actually consider All Shook Down, the final album credited to the Replacements, to be Westerberg’s solo bow, but I’m letting that go for today’s purposes.) It was also the first indication that things weren’t necessarily going to go swimmingly for the flannel-clad Twin Cities troubadour in his solo career, at least from a critical acclaim standpoint. He was regularly and rightly cited as one of the great rock ‘n’ roll songwriters of his generation throughout his tenure with The … Continue reading College Countdown: 90FM’s Top 90 of 1996, 34 and 33

Spectrum Check

I actively tried to avoid the film I reviewed this week at Spectrum Culture. It’s not because I thought it would be bad, but instead I was worried it would be good, which would make it disheartening and grueling. Sure enough, the new documentary about the few remaining physicians who provide late-term abortions kept reminding me or the sorry state of reproductive rights in the country. The film is solid. It’s the oppressive, anti-empathetic, woman-hating culture that’s a mess. I also spared a few sentences for our latest Monthly Mixtape, extolling the virtues of a song of the excellent new … Continue reading Spectrum Check

One for Friday: Gandalf, “Can You Travel in the Dark Alone”

By the time I was paying attention, the Middle Earth adventures of J.R.R. Tolkien had fully crossed over into the province of nerd culture. It was exclusively for fans of sci-fi and fantasy, including those budding poindexters who sat alone reading it on the back of the bus carrying them to middle school (that would be me). By now, over a billion dollars in box office has shifted the material into the greater public consciousness and broader respectability, even if referencing a certain overt devotion to the fictional worlds Tolkien created remains a handy way to, say, establish a television … Continue reading One for Friday: Gandalf, “Can You Travel in the Dark Alone”