When I started the “Top 40 Smash Taps” series of posts, it was largely to push myself to write about music that was unfamiliar to me. Without the prompts delivered by decades of Billboard data, I can’t imagine myself having cause to write about Donna Summer. And now here I am, writing about her a second time in the space of three days. Part of the pleasure of writing the “Smash Taps” posts comes in discovering odd little details about the modern history of music that were previously outside my ken. For example, I was pretty fervently devoted to all … Continue reading One for Friday: Donna Summer, “Protection”

I remember finding it bizarre when the first Robyn Hitchcock album on Warner Bros. Records arrived in 1996. He had been on a major label before, having released four albums on A&M through the late eighties and early nineties. Still, there was something about seeing that iconic WB logo–about as major as a label could get at the time–affixed to a record by college radio’s resident warped genius. It was hard to conceive of their promotions department having any idea whatsoever as to how to market this thing, and Hitchcock’s relatively brief stay with the label seemed to confirm that. … Continue reading One for Friday: Robyn Hitchcock, “Sinister But She Was Happy”