Spectrum Check

Through a combination of personal foresight and editorial generosity, I didn’t have anything new go up this past week at Spectrum Culture. Good thing I took the occasion of scrapping and scrambling for valuable Trivia points to slough off this regular update last week, meaning I do have some words to redirect curious souls towards. On the film side, I reviewed a new documentary on Ricky Jay, the noted sleight of hand artist and curious curator of all manner of ancient and enduring chicanery. The movie has its strengths and weaknesses, but what I really wanted to write was that … Continue reading Spectrum Check

One for Friday: Jack Logan, “Teach Me the Rules”

When I was removed from the constant discovery zone of college radio, I often poured through music magazines to find my way to new artists. This meant that, like a sportswriter considering whose name to write on his or her MVP ballot, I was unduly susceptible to a performer with a good story. Jack Logan had a great story. He was a longtime songwriter who came to prominence fairly late in life, after moving to Georgia, where he befriended Peter Buck of R.E.M. While Logan was still making his living as a swimming pool motor technician, he started releasing albums, … Continue reading One for Friday: Jack Logan, “Teach Me the Rules”

Top 40 Smash Taps: “The Riddle (You and I)”

These posts are about the songs that can accurately claim to crossed the key line of chart success, becoming Top 40 hits on Billboard, but just barely. Every song featured in this series peaked at number 40. A guy born Vladimir John Ondrasik III is probably making the right choice in adopting a stage name before going into showbiz. Rather than adopt a straightforward name, Ondrasik opted for a moniker that called to mind a band, taking inspiration from his favorite sport, hockey. Under the name Five for Fighting, Ondrasik came out with his debut album, Message for Albert, in … Continue reading Top 40 Smash Taps: “The Riddle (You and I)”

One for Friday: Super Morrissey Bros., “Come On Eileen (Blinky’s 8-bit Chasers version)”

As per tradition, the One for Friday format can shift on the day the World’s Largest Trivia Contest begins, in large part because I feel obligated to post a certain #1 hit from the nineteen-eighties. And so I once again present a version of my team’s theme song. The only way this track could be better would be if it utilized the sound effects from different version of Pac-Man. Continue reading One for Friday: Super Morrissey Bros., “Come On Eileen (Blinky’s 8-bit Chasers version)”

Spectrum Check

My efforts for Spectrum Culture this week began with an incredibly difficult movie to write about: Shane Carruth’s Upstream Color. The movie is so densely inscrutable that any attempt to summarize it (or even more daunting, to speculate on its meaning) is practically doomed to failure. I feel I did all right, but I’m actively looking forward to writing on what appears to be a fairly simple documentary for this coming week. On the music side, I wrote about the new album from Caitlin Rose, which is very solid. Though I didn’t make this comparison in the review, it reminded … Continue reading Spectrum Check

One for Friday: Urge Overkill, “Sister Havana”

Though I like to think my musical tastes have diversified somewhat in recent years, two decades ago there was no surer pathway into my preferences than big, proud electric guitars. The Chicago band Urge Overkill was already on my radar for that very reason by the time they released their major label debut, Saturation, in 1993. Their prior effort, The Supersonic Storybook on Touch and Go, was championed by CMJ, the college radio trade publication, and I returned to it fairly regularly across my last few semesters as a student at the station. But Saturation, officially released just a couple … Continue reading One for Friday: Urge Overkill, “Sister Havana”

One for Friday: Hothouse Flowers, “Movies”

I’m going to break one of my chief rules for One for Friday today, so let’s start with a modified version of the regular disclaimer. The track I post today seems to be available for purchase as a physical item, although its unlikely to be stocked as a matter of course in your favorite local, independently-owned record store. Instead, I humbly suggest that you consider contacting the proprietor of said store and asking if Home by Hothouse Flowers can be ordered. Perhaps you’ll be able to pick it up two weeks from tomorrow when there will be a lot of … Continue reading One for Friday: Hothouse Flowers, “Movies”

Top 40 Smash Taps: “You Got Yours and I’ll Get Mine” and “Trying to Make a Fool of Me”

These posts are about the songs that can accurately claim to crossed the key line of chart success, becoming Top 40 hits on Billboard, but just barely. Every song featured in this series peaked at number 40. The Delfonics formed in Philadelphia, where the original band members met as students at Overbrook High School in the nineteen-sixties. They operated around the fringes of the music industry before coming to the attention of Stan Watson, the owner of the Philly Groove record label. The Delfonics were teamed with producer Thom Bell (who’d previously worked with them at Cameo Records) and they … Continue reading Top 40 Smash Taps: “You Got Yours and I’ll Get Mine” and “Trying to Make a Fool of Me”