One for Friday: The Woodentops, “They Can Say What They Want”

Back at the college radio station, I was always appreciative when I found out the official derivation of a band’s name. This was in part because it was handy information to have when introducing or backselling a band’s songs on the air, providing something interesting to help fill up the time. It was also fairly difficult background to come by for a lot of the artists we played. Even at that late date, there was no shortage of articles tracing how the Rolling Stones selected their moniker, but it was a lot harder to find out where the hell the … Continue reading One for Friday: The Woodentops, “They Can Say What They Want”

Spectrum Check

I only had one new piece go up at Spectrum Culture, but it was a fairly distinctive one. Capitol Records recent reissued four old country albums on vinyl and apparently actively solicited reviews from various outlets. The editor-in-chief sent out an email asking if anyone was interested in reviewing the respective titles, and my many, many hours as a kid (and I’m talking single digits here) sitting in front of my grandparents’ big console stereo listening to Kenny Rogers records made it clear that I needed to participate. I went ahead and claimed The Gambler. Listening to it again, for … Continue reading Spectrum Check

One for Friday: Map of the World, “I Fight for My Life”

Inadvertently, this is the second time in the last three weeks that I’m featuring a band that Atlantic Records simply didn’t know how to handle. Map of the World was a band from Ann Arbor, Michigan, signed by the major label in the late nineteen-eighties, a time when A&R men roamed college towns with fevered urgency, so sure that the next R.E.M. was lurking out there somewhere. The group–headed up by the sibling team of Khalid and Sophia Hanifim–had exactly one release for the label, a 1989 EP entitled An Inch Equals a Thousand Miles. When it wasn’t embraced automatically … Continue reading One for Friday: Map of the World, “I Fight for My Life”

Top 40 Smash Taps: “Thinkin’ Problem”

These posts are about the songs that can accurately claim to crossed the key line of chart success, becoming Top 40 hits on Billboard, but just barely. Every song featured in this series peaked at number 40. David Ball had a first pass at a music career in the late nineteen-eighties when the country music singer-songwriter secured a recording contract with RCA Records. A trio of singles in 1988 and 1989 failed to generate anything but the most meager of interest from country radio and the album he recorded was shelved. Jump forward a few years, and Ball gets his … Continue reading Top 40 Smash Taps: “Thinkin’ Problem”

One for Friday: Soul Coughing, “Mr. Bitterness”

For brief stretch of time, my adult beverage of choice was a velvet crush. I didn’t pick up on this from friends or family or even some intrepid bartender who could somehow spot that I’d be a sucker for the combination of sugary, “fruit”-flavored water and hard liquor, but because Soul Coughing sang about it in a song. The opening lyrics to the song “Mr. Bitterness” place the setting as a bar called The Bitter Seed and describes a woman who we will come to know as alluring and aloof. She drinks a velvet crush. Lead singer M. Doughty helpfully … Continue reading One for Friday: Soul Coughing, “Mr. Bitterness”

Spectrum Check

I only had one new piece go up at Spectrum Culture this week: a review of the new Ruby Suns album, which is mediocre. I have nothing to add about it. I was barely able to squeeze out the words needed for the review. However, I also forgot to share something last week, so I have a way to fill out this space a little more. We reached a conclusion of our mammoth undertaking to sort through the best cinematic comedic performances of each year, designating one as the pinnacle. The feature covered every year from 1930 to 2012, and … Continue reading Spectrum Check

One for Friday: Eleventh Dream Day, “Makin’ Like a Rug”

Eleventh Dream Day is the band that taught me about the fiscal realities of being a top college radio act. The Chicago group had a surprise hit on the CMJ charts with their second full-length and major label debut, Beet, in 1989. As it recall, it came out of nowhere, and wound up making it all the way to #2 on the CMJ album charts. To us, it seemed like a big deal. This was obviously a huge new band, rubbing shoulders with the iconic likes of the Cure, the B-52’s and Public Image Ltd. Surely they were now huge, … Continue reading One for Friday: Eleventh Dream Day, “Makin’ Like a Rug”