Top 40 Smash Taps: “Just Seven Numbers (Can Straighten Out My Life)”

These posts are about the songs that can accurately claim to crossed the key line of chart success, becoming Top 40 hits on Billboard, but just barely. Every song featured in this series peaked at number 40. The Four Tops were one of the signature acts of Motown. They placed twenty-four singles in the Billboard Top 40, including two that made it all the way to the top spot. Featuring Abdul “Duke” Fakir, Renaldo “Obie” Benson, Lawrence Payton and the incomparable Levi Stubbs. The epitome of dependability, the quartet was comprised of the same four individuals–across multiple labels and countless … Continue reading Top 40 Smash Taps: “Just Seven Numbers (Can Straighten Out My Life)”

Spectrum Check

I had a very busy week at Spectrum Culture, in part because some screenings got goofed up, necessitating schedule shuffling. Specifically, Rubberneck, directed by Alex Karpovsky of Girls, ran on the day the film was released, a bit of a rarity for me. On the flip side of that, I also had a review of new Korean action film go up, after I had been turned down on two or three other titles for the release week in question. I also had a very big review go up on the music side, with an assessment of the new release from … Continue reading Spectrum Check

One for Friday: The Billy Nayer Show, “Hey Boy”

I hope I’m wrong and anxiously await the opportunity to be proved so, but I think we’re heading towards a dreadful Academy Awards ceremony this Sunday. I’ve adamantly disliked the selection of Seth Macfarlane as this year’s host for a variety of reasons (not just because I don’t find him or his creations funny in the slightest, but also because he’s by far the least prominent celebrity to host the program in my memory, diminishing the prestige of the whole endeavor), but it goes beyond that. Nearly every special segment of the show that’s been teased by the producers sounds … Continue reading One for Friday: The Billy Nayer Show, “Hey Boy”

One for Friday: Billy Bragg, “Valentine’s Day Is Over” (Peel Session)

As I’ve recounted, there were many discoveries I made after I arrived at the campus radio in the late-eighties. Among them were a series of records with a distinctive cover design, just the name of an artist atop a big black box with a dizzying array of other bands and performers listed within it. In small print at the very top of the jacket sat three simple words: “The Peel Sessions.” To the best of my knowledge, I hadn’t heard of John Peel, the British radio personality and indefatigable music fan who was the namesake for the records. We didn’t … Continue reading One for Friday: Billy Bragg, “Valentine’s Day Is Over” (Peel Session)

Love? Less.

This isn’t usually the digital corner where I share my thoughts on new releases (that’s done elsewhere), but I got a special request from a good friend so here we are. Maybe this will be a one-off, maybe the first of many. Here’s my true confession about My Bloody Valentine: I didn’t grasp the significance of the band the first time around. I didn’t even get just how good they were. Part of that was because their true masterwork, 1991’s Loveless, initially struck me as part of a trend instead of a buzzy revolution all on its own. It was … Continue reading Love? Less.

College Countdown: KROQ-FM’s Top 40 Songs of 1987, 2

2. “Girlfriend in a Coma” by the Smiths “Girlfriend in a Coma” was the first single from Strangeways, Here We Come, the final studio album from the Smiths. Indeed, by most accounts the band was in the midst of splintering apart as the track was slipping up the U.K. charts. The B-side even houses the last song the Smiths ever recorded, “I Keep Mine Hidden.” The A-side is, of course, pretty notable all on its own, inspiring countless covers and even the title to a novel by an author who never tires of clinging at references that will make him … Continue reading College Countdown: KROQ-FM’s Top 40 Songs of 1987, 2

Spectrum Check

I pitched in for both of my regular areas this week at Spectrum Culture. On the film side, I wrote a review of a new documentary on the widely protested incarceration of Mumia Abu-Jamal. I actually took this one on for a very specific reason: I’ve now spent at least twenty years hearing cries of “Free Mumia” from a certain, impassioned subsection of society, without ever hearing a corresponding explanation for why his sentence is unjust. I presumed the documentary would provide that, but it instead glossed over the particulars of the situation in much the same way I was … Continue reading Spectrum Check

One for Friday: Cruel Story of Youth, “You’re What You Want to Be”

As is often the case when Friday comes around this space, it’s time for another tale of the 90FM “C Stacks.” When I arrived at the University of Wisconsin – Stevens Point, the greater music library was divided into three sections, the bands placed in them sorted roughly by notoriety: the A,B and C Stacks. Obviously the C Stacks was where the most obscure music went to live out its days at the radio station, until some college kid a generation later pulled it out, muttered, “What the hell is this?” and relegated it to the deep storage in the … Continue reading One for Friday: Cruel Story of Youth, “You’re What You Want to Be”

College Countdown: KROQ-FM’s Top 40 Songs of 1987, 4 and 3

4. “Lips Like Sugar” by Echo & the Bunnymen I was still playing catch-up with college rock in 1987, so my true first impression on many of the bands that prospered there, including those that had been around for a while, was based on how fans were viewing the music they were making right that moment. So I was under the impression that Echo & the Bunnymen were some sort of perpetual disappointment. I’ll admit it: I was sort of a dumb kid. The British band’s fifth album was released in 1987. Self-titled, it was inspired a lot of agitated … Continue reading College Countdown: KROQ-FM’s Top 40 Songs of 1987, 4 and 3

Spectrum Check

I had a fairly light week on Spectrum Culture, in part because the film I chose for this week never came through. As I recall, it had something to do with Wisconsin. Sorry I couldn’t write about you, native state. So I had only one full-length review this week: Willy Mason’s Carry On. He’s one of those performers who first edged onto my personal radar because of some gushing write-ups in Mojo magazine, which contributed to my take on him perhaps becoming overly concerned with the relative success he’s had in the U.K. That’s what happens when I don’t actually … Continue reading Spectrum Check