One for Friday: Soul Coughing, “Mr. Bitterness”

For brief stretch of time, my adult beverage of choice was a velvet crush. I didn’t pick up on this from friends or family or even some intrepid bartender who could somehow spot that I’d be a sucker for the combination of sugary, “fruit”-flavored water and hard liquor, but because Soul Coughing sang about it in a song. The opening lyrics to the song “Mr. Bitterness” place the setting as a bar called The Bitter Seed and describes a woman who we will come to know as alluring and aloof. She drinks a velvet crush. Lead singer M. Doughty helpfully … Continue reading One for Friday: Soul Coughing, “Mr. Bitterness”

Spectrum Check

I only had one new piece go up at Spectrum Culture this week: a review of the new Ruby Suns album, which is mediocre. I have nothing to add about it. I was barely able to squeeze out the words needed for the review. However, I also forgot to share something last week, so I have a way to fill out this space a little more. We reached a conclusion of our mammoth undertaking to sort through the best cinematic comedic performances of each year, designating one as the pinnacle. The feature covered every year from 1930 to 2012, and … Continue reading Spectrum Check

One for Friday: Eleventh Dream Day, “Makin’ Like a Rug”

Eleventh Dream Day is the band that taught me about the fiscal realities of being a top college radio act. The Chicago group had a surprise hit on the CMJ charts with their second full-length and major label debut, Beet, in 1989. As it recall, it came out of nowhere, and wound up making it all the way to #2 on the CMJ album charts. To us, it seemed like a big deal. This was obviously a huge new band, rubbing shoulders with the iconic likes of the Cure, the B-52’s and Public Image Ltd. Surely they were now huge, … Continue reading One for Friday: Eleventh Dream Day, “Makin’ Like a Rug”

Top 40 Smash Taps: “Just Seven Numbers (Can Straighten Out My Life)”

These posts are about the songs that can accurately claim to crossed the key line of chart success, becoming Top 40 hits on Billboard, but just barely. Every song featured in this series peaked at number 40. The Four Tops were one of the signature acts of Motown. They placed twenty-four singles in the Billboard Top 40, including two that made it all the way to the top spot. Featuring Abdul “Duke” Fakir, Renaldo “Obie” Benson, Lawrence Payton and the incomparable Levi Stubbs. The epitome of dependability, the quartet was comprised of the same four individuals–across multiple labels and countless … Continue reading Top 40 Smash Taps: “Just Seven Numbers (Can Straighten Out My Life)”

Spectrum Check

I had a very busy week at Spectrum Culture, in part because some screenings got goofed up, necessitating schedule shuffling. Specifically, Rubberneck, directed by Alex Karpovsky of Girls, ran on the day the film was released, a bit of a rarity for me. On the flip side of that, I also had a review of new Korean action film go up, after I had been turned down on two or three other titles for the release week in question. I also had a very big review go up on the music side, with an assessment of the new release from … Continue reading Spectrum Check

One for Friday: The Billy Nayer Show, “Hey Boy”

I hope I’m wrong and anxiously await the opportunity to be proved so, but I think we’re heading towards a dreadful Academy Awards ceremony this Sunday. I’ve adamantly disliked the selection of Seth Macfarlane as this year’s host for a variety of reasons (not just because I don’t find him or his creations funny in the slightest, but also because he’s by far the least prominent celebrity to host the program in my memory, diminishing the prestige of the whole endeavor), but it goes beyond that. Nearly every special segment of the show that’s been teased by the producers sounds … Continue reading One for Friday: The Billy Nayer Show, “Hey Boy”

One for Friday: Billy Bragg, “Valentine’s Day Is Over” (Peel Session)

As I’ve recounted, there were many discoveries I made after I arrived at the campus radio in the late-eighties. Among them were a series of records with a distinctive cover design, just the name of an artist atop a big black box with a dizzying array of other bands and performers listed within it. In small print at the very top of the jacket sat three simple words: “The Peel Sessions.” To the best of my knowledge, I hadn’t heard of John Peel, the British radio personality and indefatigable music fan who was the namesake for the records. We didn’t … Continue reading One for Friday: Billy Bragg, “Valentine’s Day Is Over” (Peel Session)

Love? Less.

This isn’t usually the digital corner where I share my thoughts on new releases (that’s done elsewhere), but I got a special request from a good friend so here we are. Maybe this will be a one-off, maybe the first of many. Here’s my true confession about My Bloody Valentine: I didn’t grasp the significance of the band the first time around. I didn’t even get just how good they were. Part of that was because their true masterwork, 1991’s Loveless, initially struck me as part of a trend instead of a buzzy revolution all on its own. It was … Continue reading Love? Less.

College Countdown: KROQ-FM’s Top 40 Songs of 1987, 2

2. “Girlfriend in a Coma” by the Smiths “Girlfriend in a Coma” was the first single from Strangeways, Here We Come, the final studio album from the Smiths. Indeed, by most accounts the band was in the midst of splintering apart as the track was slipping up the U.K. charts. The B-side even houses the last song the Smiths ever recorded, “I Keep Mine Hidden.” The A-side is, of course, pretty notable all on its own, inspiring countless covers and even the title to a novel by an author who never tires of clinging at references that will make him … Continue reading College Countdown: KROQ-FM’s Top 40 Songs of 1987, 2