I worked in commercial radio for about two-and-a-half years. In that span, I had to play a lot of music I didn’t like. And I mean a lot. This was in the mid-nineteen-nineties, after Nirvana hit it big and Pearl jam hit it bigger, leading labels to clamor for any band that played thudding hard rock, especially if it sounded a little like it was being fed through damaged amps. The glut of “new rock alternative” stations that sprung upon around this time, including the one I worked at, played these bands like dutiful soldiers, even though many of them … Continue reading One for Friday: Hole, “Gold Dust Woman”

This weekly feature is usually devoted to a song that I swooned over during, as I put it, “my college radio days,” by which I mean the span of time when I was an undergraduate student at the University of Wisconsin-Stevens Point and spending most of my time at 90FM, that institution’s student-run station. There is, however, a whole second life I had in college radio, working as the advisor and General Manager for WPRK-FM at Rollins College in central Florida. In additional to all the other opportunities and benefits this job shift brought, it gave me a chance to … Continue reading One for Friday: Firewater, “Psychopharmacology”

It seems like I’ve invoked Hüsker Dü and Bob Mould quite a bit in this space lately. This week’s One for Friday selection is a natural extension of that trend. As I’ve noted, Bob Mould loomed large during my college radio years. Hüsker Dü was one of the touchstone bands of the station, and Mould was an especially accomplished alumnus of the group. He was also fairly prolific at that time. His first solo album came out around two years after the last Hüsker outing and his sophomore effort was out by the following summer. If his debut release was … Continue reading One for Friday: Bob Mould, “The Last Night”

I didn’t pay particularly close attention to the producer credit on albums when I was in college. Usually, the name in that part of the liner notes didn’t even register for me unless it was a person I recognized from their primary place in the music world. If Peter Buck from R.E.M. or Bob Mould was listed as a producer, I took notice. Otherwise, considering who was filling that vital personnel role was an afterthought. It was only well after deciding the work was great that I realized, for example, that Paul Fox produced several favorite records released during my … Continue reading One for Friday: Frazier Chorus, “Cloud 8”