In writing about my time at the college radio station, I focus almost exclusively on my interactions with the music piled into the library that lined the walls of our main studio. All those records and CDs contained of wealth of music that we called modern rock before begrudgingly starting to call it alternative. While WWSP 90FM had and has, to its credit, a stronger focus than most college radio stations, there was a significant amount of programming centered on different styles of music than that which topped the college charts. There were programs that made weekly forays into blues, … Continue reading One for Friday: Mel Tormé and George Shearing, “I’m Hip”

A couple weeks ago, I posted the 100th One for Friday entry. It came and went without me noticing, even though I tend to be hopelessly geeky about such things. With so many of these weekly wallows in sonic nostalgia, I can easily lose track of which songs I’ve already celebrated with a few hundred typed words. A few weeks ago, I even broke down and worked up a spreadsheet to make sure I don’t repeatedly indulge in the same tired story about, say, a a crazy album cover being discussed on air during a year-end countdown show. Turns out, … Continue reading One for Friday: The Jack Rubies, “Be With You”

I spent a lot of top hopscotching across different genres and subgenres as I solidified my music fandom during my teenage years. I attribute this, in part, to my first exposure to radio coming during the nineteen-seventies, when programmers were so perplexed by the rapidly evolving music scene that it seemed as though practically anything could climb to top of the singles chart. There was a certain aural wanderlust that defined my taste, as I took extended spins around the dance floor with local radio stations that specialized in country, Top 40 and even adult contemporary (the canvas can do … Continue reading One for Friday: The Strawberry Zots, “Waste of Time”

There are always going to bands and performers that are inextricably linked with their eras. For me, The Cure represents one side of the nineteen-eighties and R.E.M. is the flip side. Nirvana’s Nevermind dirges are so embedded in the early nineties that it’s almost a shame that the album wasn’t actually called The Waning Days of Bush I or some such thing. Much of this music is still great, and even has some qualities that could be called timeless, but they also speak so clearly for their musical moment that playing them causes calendar pages to flip back like a … Continue reading One for Friday: The Smithereens, “Kiss Your Tears Away”

I suspect there’s a tendency to always see the time when you’re following music most closely–probably those years around high school and college–as a time of particular tumult and transformation. It’s a natural side effect of close scrutiny combined with a passionate connection with the artists. Every shift in a lineup or full-on dissolution of a band is major news, like the borders of a country being redrawn after a war. The whole landscape changes, or at least that’s what it feels like. At around the time I started at the college radio station, both Husker Du and The Smiths … Continue reading One for Friday: Antenna, “23”