As if there were any doubt left on this point, The Hunger Games seals the certainty that studios that once rejected aspirations towards art in favor of a fervent craving for franchises are now slipping to a point where nothing … Continue reading Dressing up in costumes, playing silly games, hiding out in tree tops, shouting out rude names
I had couple things on Spectrum Culture this week. In the Film section, I reviewed Womb, a film that continues the unexpected British trend of gentle sci-fi stories about cloning, a distinct subgenre done exceedingly well in Kazuo Ishiguro’s novel Never Let Me Go and less so in the film adaptation of the same book. Womb is further proof that we all would have been better off in Ishiguro’s original work was allowed to be the sole and final work of art on that front. I fared a little better with my selection in the Music section, offering an assessment … Continue reading Spectrum Check
My week at Spectrum Culture started with me writing about one of those films that I know backwards and forwards. Usually, when I write about anything for Spectrum, I try to give it a fresh viewing (or listen), but that absolutely wasn’t required in this instance. There is one problem, though. I really should have asked to get pushed back a week so the review was closer to Opening Day, although Major League Baseball is sure working hard to make Opening Day (true Opening Day, not exhibition-games-that-count Opening Day) feel goofy and anticlimactic. Continuing on the movie beat, I wrote … Continue reading Spectrum Check
In part due to a little mistake I made the prior week, I had two different film reviews go up at Spectrum Culture this past week. First was a film I should have reviewed earlier, but release schedules apparently baffle me at times. It was a French drama starring Audrey Tautou which proved to be not especially good. Tautou has been fairly choosy since her breakthrough in Amélie, at least by the standards of the European film industries which tend to push stars to churn out movie and movie. That’s a sound choice on her part, but it can make … Continue reading Spectrum Check
This week at Spectrum Culture, I opted to review the new film from director Jill Sprecher, who previously created the very good comedy Clockwatchers and the sadly mediocre 13 Conversations About One Thing. It’s been a long time since that prior feature, so I had perhaps had reason to be leery. But then the movie poster calls attention to the fact that it takes place in Kenosha, Wisconsin. I couldn’t turn that down, right? It was good, but there’s some internet scuttlebutt that it may have been even better in the original cut that debuted at Sundance a year ago. … Continue reading Spectrum Check
The first I had up at Spectrum Culture this week was a review of a new film starring Linda Cardellini. I’m particularly proud that I managed to avoid invoking Freaks and Geeks, which seems to be cited in every other review I’ve seen of the film. It certainly says something about the lingering brilliance of Paul Feig’s high school series that it remains the main touchstone for Cardellini despite the fact that she’s been a part of some notable films and spent several seasons as a central cast member of E.R., many of those years coinciding with the time that … Continue reading Spectrum Check
I was all over the place at Spectrum Culture this week. First of all, I had a piece in the music section, reviewing something that was definitely outside of my usual range. The super-secret DVD backstory of this review is that I wrote it while flat in my back while suffering with an ailment that really needs not be elaborated upon. You should appreciate my discretion, believe me. I also reviewed the new film from director Ti West, which I actually made a point of requesting months in advance. For one thing, I have a marital obligation to get horror … Continue reading Spectrum Check
I reviewed two very different films for Spectrum Culture this week. First, I tackled a new release, writing a review of the new film from Valérie Donzelli, which was France’s official entry to the Best Foreign Film category at this year’s Oscars. Like everyone else, I’m certain that A Separation is going to win the trophy, and I trust the critical consensus that deems the film the worthiest of the honor. But the other nominees must have been damn good to keep this effort from the final nomination list. The other film I covered couldn’t have been more different. We’re … Continue reading Spectrum Check
Steven Soderbergh has made it clear that the movie Haywire exists solely because he saw Gina Carano in one of her mixed martial arts fights on television. I’d like to think he also spent part of that particular evening hitting … Continue reading But how can I help it, if they break then they break, when my hands are untied they’re entitled to shake
I had a more reasonable week at Spectrum Culture, contributing just a couple things and only one full-length review. The latter was for the film Miss Bala, which I’ve been anxious to see since it drew rave reviews at Cannes. In general, I’ve been trying to keep a closer eye on various festival reviews so I can snap up the more obscure potentially strong offerings after they’ve gone through the arduous circuit. That’s starting to pay dividends and Gerardo Naranjo’s incisive film was one of the first prizes of that effort. I also contributed to our weekly List Inconsequential feature, … Continue reading Spectrum Check
Coffee for Two 