One of the benefits of getting to my reviews later than the full-on professional critical community is that I can see the ebb and flow of the cultural consensus before I weigh in. None of that shapes my reaction to … Continue reading We could jet in a stolen car, but I bet we wouldn’t get too far
There is a slender but focused plot to the latest comedy by Alexander Payne, Nebraska. But it seems fairly clear that the story is ultimately a means to an end. That’s not to imply that Payne is indifferent to the … Continue reading I awoke and I imagined the hard things that pulled us apart will never again, sir, tear us from each other’s hearts
By now, David O. Russell has openly and repeatedly acknowledged that his 2010 film, The Fighter, represented a key artistic turning point for him. His first film after years of futility following the release of I ♥ Huckabees, the boxing … Continue reading Knock on the door and the door knocks back
And so we come to the end of the publication year for Spectrum Culture, which meant a huge batch of “best of” evaluations of the pop culture from the preceding twelve months (well, okay, eleven-and-a-half). I had my couple cents in every last one of them, but I also had one more full-length review to put out there. I was cautiously hopeful about grabbing the new film from Neil LaBute. Though it’s been ages since I’ve liked one of his films, I used to like them, a couple quite a bit. And this new effort seemed like a back-to-basics outing, … Continue reading Spectrum Check
We’re winding down to the end of the year at Spectrum Culture, so there’s a lot going into prep for that. I’m spending so much time trying trying to assemble my various lists–mostly extensive listening and re-listening to the most interesting music of the year–that keeping up with the new stuff week to week becomes kind of dizzying. For example, I have to keep reminding myself that I’ve got a late contender for the Best Albums list in the latest from White Denim. This also represents one of the few times (maybe the first time) that I’ve returned to a … Continue reading Spectrum Check
Colorado Territory (Raoul Walsh, 1949). This Raoul Walsh western both locks in on the form and offers a sort of sour, woozy commentary on its many tropes. Joel McRae plays a notorious outlaw who’s sprung from jail and gets himself enmeshed in the fabled “one last job,” a train heist that will net him and his conniving compatriots enough money to allow them to retire for good. Along the way, he also becomes enamored with a lady bandit, the wonderfully named Colorado Carson (Virginia Mayo). Walsh had used the exact same source material to make a film noir crime picture … Continue reading Katzin, Kurosawa, Muschietti, Walsh, Wise
Considering it was a short week, I had a lot of material up at Spectrum Culture. The most challenging piece to write was my “Revisit” on Lawrence Kasdan’s The Big Chill, part of my ongoing attempt to exhaust all of my pop culture touchstones for the site. I suspect the result reads as a little more unkind towards the film than my actual, official stance on it, but I went where the writing took me. The other film I wrote on was a new documentary on Bettie Page. I picked it up because of the promise that the famously private … Continue reading Spectrum Check
In the film Dallas Buyers Club, when Ron Woodruff is told he has AIDS, he’s also told he has thirty days to live. Much is made of this countdown to mortality, with helpful onscreen title cards occasionally providing an update … Continue reading The boys next door, the mums and dads, newlyweds and nearly-deads
When trying to find films and records to write on each and every week, there are time when the material is going to be extremely unmemorable, neither good enough to stir genuine excitement nor bad enough to engender the flush of resentment for the time given away to it. That’s basically where I landed this week with Spectrum Culture. For instance, the film I reviewed had some promising elements, especially when it came to the performances. It was nice to see skilled performers who don’t usually land particularly worthwhile roles getting the chance to dig into some meaty material and … Continue reading Spectrum Check
This week at spectrum Culture, I started with an album review. Specifically, this was another of my attempts to write about an artist who I like a great deal, but whose work is a little outside of my proverbial writing wheelhouse. I’m somewhat satisfied with the resulting review of the new record from M.I.A., but I do feel like it could have used more precise and detailed descriptions of the music itself. I was somewhat at a loss to describe the melange of sounds she creates. M.I.A. makes fantastic songs, but I don’t thing she’s yet pulled off a album … Continue reading Spectrum Check
Coffee for Two 