Cianfrance, Hitchcock, Levine, Sonnenfeld, Zinnemann

Sabotage (Alfred Hitchcock, 1936). My instinct is to refer to this as an early Alfred Hitchcock film, but he was a decade and almost two dozen films into his career by this point. What’s more, this was released the year after The 39 Steps, so while Hitchcock may not have been The Master yet, he was a seasoned, skilled and respected filmmaker already. This was toward the end of the run of his British-made films, and there’s a certain added restraint–even somewhat pedestrian quality–to the narrative about a terrorist group staging bombings around London. It notably adheres to all of … Continue reading Cianfrance, Hitchcock, Levine, Sonnenfeld, Zinnemann

Spectrum Check

The Memorial Day holiday made for a truncated week at Spectrum Culture, but a convergence of minor issues meant that I had the rare instance of two different new movie reviews go up. First, I wrote on Hannah Arendt, about a writer and intellectual who covered the Adolf Eichmann trial for The New Yorker. Keeping with the heavy subject matter, I reviewed Shadow Dancer, centered on the The Troubles in Ireland, its own sort of period piece, taking place in the mid-nineties. Probably the most notable aspect of this film is the director, James Marsh. He won the Best Documentary … Continue reading Spectrum Check

Spectrum Check

My writing week with Spectrum Culture started with a look backward. Our Revisit series cycles through all the music writers, and my turn came up. I always have an extremely difficult time figuring out what to write on for this feature, usually defaulting to an album I know inside out. This time, that meant a few words on my favorite Billy Bragg album. For the film reviews, I wrote on new horror movie, directed by Katie Asleton and written by her husband, Mark Duplass. I thought it was solid, though I should note that the person in our household with … Continue reading Spectrum Check

Spectrum Check

So while I spend my morning wishing some rain away, I’ll share the pieces I contributed to Spectrum Culture this week. I was present in both the film and movie sections, including a review of the sophomore effort by Little Boots. I’ll admit — as I essentially do right in the text of the review — that I sometimes feel a little out of my depth when writing on more electronica-based releases, but I must admit that I’m fairly pleased with the way in which I described the song “Every Night I Say a Prayer.” On the film side, I … Continue reading Spectrum Check

Spectrum Check

I spent much of this week in recovery, in a sort of spiritual and mental hangover over the insanely busy stretch of work that preceded it. So I’m a little worried that my contributions to Spectrum Culture were a touch discombobulated. On the music side, I wrote a piece on the new album from Montreal’s No Joy. It sounded pretty good to me, but I did struggle in the writing process to find the hook of the review. It’s definitely one of those times when I wanted to write, “It’s pretty good,” and be done with it. The chatting-with-buddies version … Continue reading Spectrum Check

Spectrum Check

This week has been a blur for me, thanks to a stupefying number of hours at work. If questioned without any external references, I’d have no idea what I wrote for Spectrum Culture. Luckily, I can scroll through the site and find out. Of course, I may have already forgotten about The Numbers Station by now under just about any circumstances. I presume this may be the film that sets John Cusack to considering nabbing himself a short-season cable series. On the music side, I reviewed the new album from the Black Angels. It’s fine, but I found very little … Continue reading Spectrum Check