Then Playing — Five Star Final; The World, the Flesh and the Devil; Megadoc
Reviews of films directed by Mervyn LeRoy, Ranald MacDougall, and Mike Figgis Continue reading Then Playing — Five Star Final; The World, the Flesh and the Devil; Megadoc
Reviews of films directed by Mervyn LeRoy, Ranald MacDougall, and Mike Figgis Continue reading Then Playing — Five Star Final; The World, the Flesh and the Devil; Megadoc
Reviews of films directed by Mervyn LeRoy, Otto Preminger, and Rory Kennedy Continue reading Then Playing — Heat Lightning; The Fan; Queen of Chess
Girlfriends (Claudia Weill, 1978). This agreeably scrappy independent feature is an ancestor of Nicole Holofcener’s Walking and Talking and Noah Baumbach’s Frances Ha in its wry astuteness as it considers the complications of holding on to female friendship as romantic … Continue reading Then Playing — Girlfriends; Johnny Eager; Chain Lightning
Mr. Soul! (Melissa Haizlip, 2018). Like Ahmir “Questlove” Thompson’s more recent Summer of Soul (…Or, When the Revolution Could Not Be Televised), this documentary aims to correct the aggressive erasure of triumphant Black culture. Created by Ellis Haizlip, Soul! was … Continue reading Then Playing — Mr. Soul; East Side, West Side; Where’s Poppa?
Sleuth (Joseph L. Mankiewicz, 1972). This first film version of Anthony Shaffer’s play made it to screens a mere two years after the original work’s New York premiere. Given the cunning narrative duplicity at work in the story, it’s no wonder there was a rush to adapt it before the many secrets contained therein could ripple too far from the theatrical community. But deceptions that work onstage don’t necessarily bear up to the closer scrutiny of the camera, and that itself can intrude upon the necessary suspension of disbelief given the characters are able to investigate with even greater intimacy. … Continue reading Cromwell, Helgeland, LeRoy, Lupino, Mankiewicz
Gold Diggers of 1933 (Mervyn LeRoy, 1933). This big musical from the tail end of the Pre-Code Hollywood era is fascinating for its many contradictions, beginning with the framing of Great Depression challenges with a notably defeatist cheer. The production numbers are the handiwork of Busby Berkeley (the songs are by Harry Warren and Al Dubin) and they show off his skill at mesmerizing vastness. “We’re in the Money” is probably the most famous, but others are more interesting, especially the lengthy “Pettin’ the Park,” which includes a strikingly sexy moment involving a bevy of beauties changing behind a sheer … Continue reading Jones, Kubrick, LeRoy, Park, Tourneur