One for Friday: Dream Warriors, “My Definition of a Boombastic Jazz Style”
One of the trickier aspects of being a music fan is when the music you love gets appropriated by pieces of the pop culture that you, well, don’t have such strong positive feelings towards, let’s say. I remember being shocked and appalled when I first heard Material Issue’s “Everything” butchered by some nasty, yearning band called Stereo Fuse. And while I’ve long since given up on righteous indignation as a response to a band selling off their songs for use in slick commercials, there’s still a part of me that instinctively winces when a song I really admire is paired … Continue reading One for Friday: Dream Warriors, “My Definition of a Boombastic Jazz Style”
He hops and jumps, dodges and ducks, cars and buses, vans and trucks
Great Moments in Literature
“For the first time, her love for Edward was associated with a definable physical sensation, as irrefutable as vertigo. Before, she had known only a comforting broth of warm emotions, a thick winter blanket of kindness and trust. That has always seemed enough, an achievement in itself. Now here at last were the beginnings of desire, precise and alien, but clearly her own; and beyond, as though suspended above and behind her, just out of sight, was relief that she was just like everyone else. When she was a late-developing fourteen, in despair that all her friends had breasts while … Continue reading Great Moments in Literature
You have two coffees, one of them is one coffee too many for you
Damn right. It can be a way of life. (Due credit: I found this elsewhere.) Continue reading You have two coffees, one of them is one coffee too many for you
Top Fifty Films of the 90s — Number Forty-One
#41 — The Piano (Jane Campion, 1993) Jane Campion’s film leaves a stamp on the memory. It’s not because of the plot or the acting or the achingly lovely visual landscapes. It is indeed a combination of all of these … Continue reading Top Fifty Films of the 90s — Number Forty-One
If I’m to be your camera, then who will be your face?
I enjoy writing about movies in this space. I think I do a decent job of explaining why certain films and filmmakers are inspired and why others fall short. One way or another, I’ve been trying to wrap my head around film as an art form, actively engaging the works I see with creative, analytical thinking, for more than twenty years. I’m no trailblazer, but I get by. And then sometimes I’m reminded just how much I don’t know. We have a good friend who’s a much braver soul than I, and she has spent the past two Januarys volunteering … Continue reading If I’m to be your camera, then who will be your face?
If they should bar wars, please let these Star Wars stay
You know what comics need more of? Spider-man and Doctor Doom fighting with lightsabers, that’s what. Continue reading If they should bar wars, please let these Star Wars stay
One for Friday: Martini Ranch, “How Can the Labouring Man Find Time for Self-Culture?”
This week’s One for Friday offering is less about music, and more about another one-time obsession of mine. This is about pinball. I was a little pinball addict when I was a kid, begging for quarters whenever I was dragged … Continue reading One for Friday: Martini Ranch, “How Can the Labouring Man Find Time for Self-Culture?”
Greatish Performances #1
#1 — Mason Gamble as Dirk Calloway in Rushmore (Wes Anderson, 1998) Around the time of Rushmore‘s release, Bill Murray went onto Charlie Rose’s PBS program to discuss the film. The interview covered a broad range of Murray’s career, and … Continue reading Greatish Performances #1
Greatish Performances — An Introduction
This begins, as many of my stories involving formative experiences do, when I was in college (despite the chronology that’s supposed to be followed, I truly grew up during my years pursuing my undergraduate degree). As I’ve noted before, and … Continue reading Greatish Performances — An Introduction