Cameraperson (Kirsten Johnson, 2016). A reminiscence in the form of a cinematic scrapbook, Kristen Johnson assembles footage that represents her work across a couple decades as a cinematographer for documentaries. Less a greatest-hits clip show than a procession of moments … Continue reading Then Playing — Cameraperson, Wild Rose, Women Who Loved Cinema
Martha Marcy May Marlene (Sean Durkin, 2011). The debut feature from director Sean Durkin takes a fraught subject and increases its power with shrewd understatement. The film opens as Martha (Elizabeth Olsen) flees a commune-like rural homestead, seeking assistance, with … Continue reading Then Playing — Martha Marcy May Marlene; Personal Shopper; Cleo from 5 to 7
Green Mansions (Mel Ferrer, 1959). This film contains one of the most spectacular triumvirates of disastrous casting choices I’ve ever seen in a major Hollywood production. Green Mansions adapts a 1904 novel by William Henry Hudson and follows a headstrong … Continue reading Then Playing — Green Mansions; Claudine; Julieta
Toni Erdmann (Maren Ade, 2016). German filmmaker Maren Ade puts pathos and comedy together in a way that’s borderline magical in Toni Erdmann. The title character, as it were, is a pseudonym commonly adopted by Winfried (Peter Simonischek) when he’s … Continue reading Then Playing — Toni Erdmann; Wildlife; The Seagull
Leaving Neverland (Dan Reed, 2019). Working with a landslide of troubling evidence and an abundance of cautious patience, British documentarian lays out a compelling, convincing case that Michael Jackson regularly perpetrated sexual abuse on boys that came into his orbit … Continue reading Playing Catch-Up — Leaving Neverland; Blaze; Denial
The Uninvited (Lewis Allen, 1944). Based on a Dorothy Macardle novel, director Lewis Allen’s feature directorial debut is widely cited as the first movie to depict ghosts as spectral entities that might actually exist in the world, moving amidst living … Continue reading Playing Catch-Up — The Uninvited; The Last Black Man in San Francisco; Tickled
L7: Pretend We’re Dead (Sarah Price, 2016). A nifty video scrapbook posing as documentary, this film traces the career of the L.A. hard rock band L7. Largely avoiding details of personal entanglements, L7: Pretend We’re Dead dutifully ticks off the … Continue reading Playing Catch-Up — L7: Pretend We’re Dead; Cold War; Green Book
Tully (Jason Reitman, 2018). Working with a script by Diablo Cody, the writer behind two of his best outings, and a compelling, vanity-free performance by Charlize Theron, director Jason Reitman creates a film that is almost jarring in its bleak … Continue reading Playing Catch-Up — Tully; Can You Ever Forgive Me; The Smart Studios Story
Justice League (Zack Snyder, 2017). Where to even begin with this rambling monstrosity? There’s so much to loathe in this desperate attempt to replicate the success of the Marvel movie model by the company’s distinguished competition in the realm of … Continue reading Playing Catch-Up — Justice League; The Tale; A Monster Calls
The Hero (Brett Haley, 2017). Brett Haley conceived of this character study after working with Sam Elliott on a previous effort. The genesis of the project is clear in the finished product, if only because there’s barely any purpose beyond … Continue reading Playing Catch-Up — The Hero; Paddington 2; Deepwater Horizon
