Woody Allen has sometimes be accused, not without some justification, of focusing on a certain rarefied version of the New York experience in his art. While he exists in a city teeming with working class people, his urban ecosystem is … Continue reading What a great world we all live in, even better, what a time to be here
This was one of those wholly manageable weeks for me at Spectrum Culture: one album review, one film review. The album review was the tricker of the two, largely because it was another instance of a record that didn’t inspire strong feelings one way or the other. And “It’s pretty good” simply isn’t enough. In my malaise, I completely missed my opportunity to invoke a long dreamed of touring contingent. Since I spent the first part of the review musing on how many different groups shared some variation of the band’s name, I should have suggested that all of the … Continue reading Spectrum Check
#17 — Jules and Jim (François Truffaut, 1962) And so here it is: not necessarily the best film to burst out of the French New Waves, but perhaps the quintessential example of the revolutionary movement and all the possibility it held, … Continue reading Top Fifty Films of the 60s — Number Seventeen
Shaun of the Dead was clearly a take on zombie movies, and Hot Fuzz took direct aim at action films, even calling out Michael Bay by name. According to star and co-writer Simon Pegg, the third film in the loosely … Continue reading Slash and burn, return, listen to yourself churn
#18 — The Hustler (Robert Rossen, 1961) It’s helpful that Paul Newman eventually paired famously with Robert Redford onscreen, a teaming that was so renowned and beloved that it obscures the little detail that it only happened twice, in 1969’s Butch … Continue reading Top Fifty Films of the 60s — Number Eighteen
I was irritated that I had a day this past week when I plainly gave up on writing a post for this space. Here’s part of the reason why: I wrote an awful lot for Spectrum Culture this week. First, I wrote about the new album from Washed Out, which I think is a significant improvement on the full-length debut from a couple years back. I asked for the release because it’s a little different material for me, and I thought it would be a good stretch for me. When I sat down to write the review last weekend, I … Continue reading Spectrum Check
#19 — Repulsion (Roman Polanski, 1965) Repulsion is the first film in what is loosely termed as director Roman Polanski’s “apartment trilogy,” a series that continued with 1968’s Rosemary’s Baby and culminated with The Tenant, release in 1976. Connecting the … Continue reading Top Fifty Films of the 60s — Number Nineteen
This was a typical week at Spectrum Culture for me: one movie, one album. On the film side of things, I reviewed the Kid-Thing, which has inspired other critics to all sorts of quasi-surreal interpretations but which I found to be a middling drama with a virulently indie sensibility. As I alluded on Twitter, I was inordinately pleased that I worked in the term “dirtbag kitsch” in writing about the film. I wrote about the debut album from Rose Windows for the music section. I’m not certain what inspired me to raise my hand for this one in the first … Continue reading Spectrum Check
Sarah Polley has directed two prior feature films, but Stories We Tell represents her first foray into the documentary form. It’s not hard to fathom what led her to explore this particular story as a non-fiction effort. A skilled screenwriter, … Continue reading And if you ever wonder why you ride this carousel
#20 — Pierrot Le Fou (Jean-Luc Godard, 1965) I suspect the average French New Wave classic is exactly the sort of thing a casual moviegoer pictures when considering the sorts of painfully arty fare that film critics usually champion, the material … Continue reading Top Fifty Films of the 60s — Number Twenty
Coffee for Two 