One for Friday: The Postmarks, “Every Day is Halloween”

We have an uncarved pumpkin on our front porch. Initially, there was a little regret about that in our household. However, a different sentiment quickly overtook it, defined by a simple, direct statement: every day is Halloween. There’s not exactly an abundance of holiday cheer in our residence, most of the special days of the calendar coming and going with, at most, cheerfully unorthodox commemorations. There is one that is held more dear than the others, and that’s Halloween. That reverence for October 31st means I’ve long gone out of my way to make sure I have a small surplus … Continue reading One for Friday: The Postmarks, “Every Day is Halloween”

Lou Reed, 1942-2013

I have a special fondness for the music that flooded college radio in the first six months or so of 1989. That’s partially a byproduct of my position at the station at the time, still fresh in my overall tenure and gifted with an atypically early ascension to the director staff level, specifically with responsibilities that related to reviewing new music. (Lorne Michaels has mused that everyone’s favorite Saturday Night Live cast is whichever one was in place when they were in high school. Surely, there’s a corresponding truth to college radio: everyone thinks the music scene was peaking the … Continue reading Lou Reed, 1942-2013

One for Friday: The Heathens, “Stickin Around”

I first left Florida–meaning left with a car full of belongings and no real expectation of returning–over six years ago. At the time, there was something even more significant than changing the state in the union that I called home: I was fairly certain I was leaving radio behind for good. It had been a major part of my identity since I started college myself, even in the interim years when I couldn’t by any stretched interpretation of the word call myself a broadcaster. And it was was certainly central to a professional reinvention that began in the middle of … Continue reading One for Friday: The Heathens, “Stickin Around”

Spectrum Check

In only had one full-length review at Spectrum Culture this week, but it was a fairly big one. When music reviews for the week were handed out, I picked up the new album from Cults. While I think the writing sums the record up well enough, I struggled to figure out the numeric ranking. On a gut level, it felt a little lower than the 4.0 I wound up with, but aside from one blip of a song, I also couldn’t find anything particularly problematic with the album. We’ll see how it ages for me. I also pitched in a … Continue reading Spectrum Check

One for Friday: The Wonder Stuff, “Closer to Fine”

As I’ve acknowledged previously, I and my college radio brethren shared a certain susceptibility to cover songs. That weakness increased immeasurably when the song getting the cover treatment was something that already fit into our alternative music format, a track we’d played exhaustively in its original derivation. It’s not like the Pixies had trouble getting airplay on their own, but covering a Jesus and Mary Chain song could make even their most skeptical fans in college radio (that would’ve been me) swoon. At my station, it was also sort of a stealth means to get around programming policy designed to … Continue reading One for Friday: The Wonder Stuff, “Closer to Fine”

Spectrum Check

It was a fairly standard week for me at Spectrum Culture: one film review and one album reviews. On the movie side, I covered an entry in that most woeful of categories: the genially dark indie film comedy. I’m not sure why these sorts of films are so hard to pull off, but the art houses are littered with dismal examples of underdeveloped comedies every year. And, as is the case with the one I reviewed this week, a remarkable amount of the time, the films in question are blessed with incredible casts. On the music side, I drew the … Continue reading Spectrum Check

One for Friday: In Tua Nua, “All I Wanted”

It’s clear that individuals can dictate how an entire radio station–especially one as loosely structured programmatically as a college radio station–sounds. Commonly, this comes from those in leadership positions, particular whoever has the task of sorting through the various music that shows up in the mailbox and making sure it gets into the studio, probably with some sort of note on guidance affixed to it for deejays who may never have heard of the artists in question. Sometimes, though, it manifests as a broader tribute. At the station of my undergraduate years, there was a long-lasting, I believe wholly unintentional … Continue reading One for Friday: In Tua Nua, “All I Wanted”

Top 40 Smash Taps: “Mr. Loverman”

These posts are about the songs that can accurately claim to crossed the key line of chart success, becoming Top 40 hits on Billboard, but just barely. Every song featured in this series peaked at number 40. Rexton Rawlston Fernando Gordon was born in Jamaica, in 1966. By the time he arrived on American soils as a music industry figure in the mid nineteen-eighties, rubbing shoulders with the diverse likes of Chuck Berry and KRS-One, he had rechristened himself Shabba Ranks. He employed the Jamaican deejay practice of toasting (which was basically rapping), which made him sound especially unique to … Continue reading Top 40 Smash Taps: “Mr. Loverman”