Musicians Are Begging Fans to Mask Up at Concerts. Here’s Why. by Nina Corcoran Writing for Pitchfork, Nina Corcoran relates the enormous difficulty smaller and mid-tier acts are facing as they adjust to touring, their main source of revenue, in … Continue reading Outside Reading — Masks at the Merch Table
Shilpa Ray has never struck me as an artist who is reticent about sharing her heated thoughts. Her new single, “Lawsuits and Suicide,” takes aim at a former abusive partner who followed the adhered to the common pattern of greeting … Continue reading This Week’s Model — Shilpa Ray, “Lawsuits and Suicide”
This series of posts covers my long, beloved history interacting with the medium of radio, including the music that flowed through the airwaves. In my experience, working in a broadcast studio is usually an act of relative isolation. Although there … Continue reading Radio Days — On the Air for Trivia Weekend
218. Golden Palominos, Visions of Excess (1985) “Everybody on the record is a favorite musician of mine, and they also happen to be my friends” Anton Fier said of the fluctuating Golden Palominos lineup on the album Visions of Excess. … Continue reading College Countdown: CMJ Top 1000, 1979 – 1989 — #218 to #216
When the COVID-19 pandemic roared into destructive dominance in the spring of 2020, there was a lot of discussion online and elsewhere of the way it was upended the music industry. When venues shut down and acts couldn’t tour or … Continue reading This Week’s Model — Adia Victoria, “Ain’t Killed Me Yet”
221. UB40, Labour of Love (1983) “The area we all come from is a slum — southeast Birmingham,” UB40 guitarist Robin Campbell told Spin in 1985. “The farther out you get from the city, the nicer it gets. But towards … Continue reading College Countdown: CMJ Top 1000, 1979 – 1989 — #221 to #219
Following up last year’s splendid attention-getter “Silk Chiffon” is no small task. MUNA is up to it, though. On the trio’s new single, “Anything But Me,” they tap into that sweet vein of Haimian pop, all eighties-sunshine gleam. It’s a … Continue reading This Week’s Model — MUNA, “Anything But Me”
224. Siouxsie and the Banshees, Hyæna (1984) Siouxsie and the Banshees were in a sort of limbo for a time before the recording and release of their sixth studio album, Hyæna. They hit a crisis point not long after the … Continue reading College Countdown: CMJ Top 1000, 1979 – 1989 — #224 to #222
Realistically, I’m sold from the opening riff, with its little tingle of disco-era Rolling Stones. It’s only a few seconds before the fuzzed-out, thick-bottom blues guitar really kicks in, the blaring alert that “Wild Child” is indeed the Black Keys … Continue reading This Week’s Model — The Black Keys, “Wild Child”
Although a sharp, evocative songwriter who regularly delivers new albums stuffed full of beautifully tarnished gems, Chan Marshall gets a lot of mileage out of repurposing other performers’ material. Titled with admirable clarity and directness, Covers is the third instance … Continue reading Medium Rotation — Covers; The Boy Named If; Anaïs Mitchell
Coffee for Two 